Assalamualaika Song Pattern in the Art of Zikir Nazam in Mekar Sekuntum Village, Sambas Regency

This research is motivated by the existence of one of the traditional arts, especially the arts in Kab. Sambas, West Kalimantan which has rarely been preserved, namely the song Assalamualaika in the art of Zikir Nazam in Mekar Sekuntum Village, Kab. Sambas. The purpose of this study was to examine and describe the pattern of the Assalamualaika song that is rarely played in the art of Zikir Nazam. With the hope that the public knows, recognizes and preserves the pattern of the Assalamualaika song wasps. This type of research is qualitative, triangulated data collection, and the researcher acts as the main instrument. The data validity technique uses triangulation of sources and techniques, and increases persistence. Analysis of the data using analysis according to Miles and Huberman. The results and discussion show that the song Assalamualaika uses the musical instruments of Rebana, Gedomba/Drum, Tamborin, and Marakas. The wasp pattern has five patterns, namely Long Punch, Musical Punch, Keroncong Punch, Cine Punch, and Sorong Dayong. The technique of playing the beat pattern of the Assalamualaika Song, where all musical instruments are played together, repeatedly, and answer each other between one musical instrument and another. This Assalamualaika song is played with 4/4-time scale and andante tempo. The beat pattern of the Assalamualaika song is played by three musical instruments, namely tambourines 1 and 2, and gedomba. Meanwhile, tambourines and maracas are musical instruments that are added with the aim of making the song more lively