Trigger Archive: What Is a True, Impossible Teaching Archive?

Rachel Sagner Buurma and Laura Heffernan’s new study The Teaching Archive both excavates and interprets the syllabuses and other classroom-related archives of ten tertiary English-literature courses, providing in the process what the authors call a ‘true history’ of the literary studies discipline as it was taught by a variety of English and American teachers over the course of the twentieth century. Through its textual tracing of a selection of classroom-based materials, methods and practices, The Teaching Archive brings to light a diverse methodological history, revising in the process critical assumptions and platitudes about the discipline that extend from the twentieth-century to our present moment. After reading Buurma and Heffernan we can no longer say, for example, that the pre-1968 Anglo-American classroom was the bastion of canonical reading and writing practices that—upholding antiquated, narrowly technical or formalist methods complicit with hierarchical structures—only began to unravel once universities and other tertiary-education institutions conformed to social diversity and inclusion policies. After 1968, so the story goes, the New Criticism, with its championing of the close reading method that had previously dominated the teaching of Anglophone literary studies, was gradually replaced by thematic or area studies approaches with their culture- or identity-based methods. Along with the move away from close-reading as the core literary studies method, the post-1968 emergence of feminist and queer, race, ethnic and other area studies contributed to a movement away from the teaching of the English Literature canon