This dissertation engages with the work of Hannah Arendt as the backbone of this study to question what it means to act for the love of the world at the intersections of art, aesthetics, education, philosophy, and politics. I delve into some of the contentious aspects of her political theory and philosophy as entry points to probe into what it means to respond to world events aesthetically and educationally. This dissertation consists of two parts. In Part I, I explicate why it matters to think with Arendt, one of the most idiosyncratic thinkers of the 20th century. To do so, I first discuss three of what I call Arendt’s un/identified methods: existing in excess as a work of art, engaging in the activity of thinking, and critiquing and pry...