This article analyzes how and why body and dance play a central role in the transnationalization of Candomblé between afrodescendants and, increasingly, between Europeans in Germany. It examines how an Afro-Brazilian artist and father of a saint in Berlin disseminated religious practices and worldviews through transnational Afro-Brazilian dance and music, such as music and dance workshops and other events held in the city. This is an example of how an Afro-Brazilian religion has become a central element, recreating an idea of “Africa” in Europe which is part of a long history of the movement of black and Candomblé artists between Germany, Brazil and Cuba, resulting in the creation of transnational artistic-religious relations.Este artícu...
Made available in DSpace on 2016-07-27T13:49:38Z (GMT). No. of bitstreams: 1 Conceicao Viana de Fati...
O objetivo principal desta dissertação é o de recuperar a dimensão atlântica da história social das ...
This paper discusses the relationship between dance and music from a technocultural experiment about...
The presence of Brazilians in Europe has been expressive since the socioeconomic changes which occur...
This article presents the partial results of a dissertation entitled The role of music in the intern...
By means of ethnographic fieldwork in Berlin and Recôncavo da Bahia, my Ph.D. research sought to dis...
Cet article analyse les recompositions du champ religieux afro-latino-américain à partir du cas exem...
This article compares the ritual music and religious contexts of two ceremonies associated with Braz...
This article explores the role of the samba subgenre partido alto as a mode of resistance to moderni...
In R. Bastides work one theme appears constantly, that of the meeting of different civilizations and...
There are many studies about Orixas' cult and its representativiness as in diasporic movement Africa...
The article discusses the decolonial possibilities of the collective design of a sound artwork in re...
A umbanda é considerada a mais genuína religião brasileira de origem africana. Neste artigo procura-...
In this articleI intend to analyze the trajectory of the black anthropologist Marlene de Olivei...
This article focuses on popular Brazilian musical productions, especially from the 1970s onwards, ba...
Made available in DSpace on 2016-07-27T13:49:38Z (GMT). No. of bitstreams: 1 Conceicao Viana de Fati...
O objetivo principal desta dissertação é o de recuperar a dimensão atlântica da história social das ...
This paper discusses the relationship between dance and music from a technocultural experiment about...
The presence of Brazilians in Europe has been expressive since the socioeconomic changes which occur...
This article presents the partial results of a dissertation entitled The role of music in the intern...
By means of ethnographic fieldwork in Berlin and Recôncavo da Bahia, my Ph.D. research sought to dis...
Cet article analyse les recompositions du champ religieux afro-latino-américain à partir du cas exem...
This article compares the ritual music and religious contexts of two ceremonies associated with Braz...
This article explores the role of the samba subgenre partido alto as a mode of resistance to moderni...
In R. Bastides work one theme appears constantly, that of the meeting of different civilizations and...
There are many studies about Orixas' cult and its representativiness as in diasporic movement Africa...
The article discusses the decolonial possibilities of the collective design of a sound artwork in re...
A umbanda é considerada a mais genuína religião brasileira de origem africana. Neste artigo procura-...
In this articleI intend to analyze the trajectory of the black anthropologist Marlene de Olivei...
This article focuses on popular Brazilian musical productions, especially from the 1970s onwards, ba...
Made available in DSpace on 2016-07-27T13:49:38Z (GMT). No. of bitstreams: 1 Conceicao Viana de Fati...
O objetivo principal desta dissertação é o de recuperar a dimensão atlântica da história social das ...
This paper discusses the relationship between dance and music from a technocultural experiment about...