Add to ORKGReview of Elizabeth Eisenstein's book, Divine Art, Infernal Machine: The reception of Printing in the West from First Impressions to the Sense of an Ending, and why this history of the printing press is of interest to book artists
This study considers the contemporary handmade artists' book - books that are art - as dynamic vesse...
Reading Books and Prints as Cultural Objects, edited by Evanghelia Stead, is a sample selection of p...
This article is written from the perspective of an art book publisher, in this case the executive di...
The University of Pennsylvania Libraries A.S.W. Rosenbach Lectures in Bibliography for 2010: Monday,...
Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein\u27s The Printing ...
There exists a sort of gravitas attached to a book that is printed and bound by hand that gets lost ...
For centuries books have contained and presented the written words that have allowed humankind to st...
In this digital age, it is easy to predict that print is dead and soon people will be reading nothin...
The Nature of the Book: Print and Knowledge in the Making (Adrian Johns) (Reviewed by Mark Rose, Uni...
This volume emerged from the 2013 conference ‘Resurrecting the Book’, which the researcher conceived...
This research investigates the effects of new media technologies on thearchitecture of the book in t...
“Defining the Industrial Book” forwards an alternative history of the nineteenth-century book that e...
International audienceModern media are characterized by extraordinary diversification and derivatisa...
Books that reproduced artwork in the nineteenth century showcase the technological and aesthetic dev...
oai:journals.libraries.rutgers.edu:article/1By representing bookishness in non-traditional forms, Bo...
This study considers the contemporary handmade artists' book - books that are art - as dynamic vesse...
Reading Books and Prints as Cultural Objects, edited by Evanghelia Stead, is a sample selection of p...
This article is written from the perspective of an art book publisher, in this case the executive di...
The University of Pennsylvania Libraries A.S.W. Rosenbach Lectures in Bibliography for 2010: Monday,...
Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein\u27s The Printing ...
There exists a sort of gravitas attached to a book that is printed and bound by hand that gets lost ...
For centuries books have contained and presented the written words that have allowed humankind to st...
In this digital age, it is easy to predict that print is dead and soon people will be reading nothin...
The Nature of the Book: Print and Knowledge in the Making (Adrian Johns) (Reviewed by Mark Rose, Uni...
This volume emerged from the 2013 conference ‘Resurrecting the Book’, which the researcher conceived...
This research investigates the effects of new media technologies on thearchitecture of the book in t...
“Defining the Industrial Book” forwards an alternative history of the nineteenth-century book that e...
International audienceModern media are characterized by extraordinary diversification and derivatisa...
Books that reproduced artwork in the nineteenth century showcase the technological and aesthetic dev...
oai:journals.libraries.rutgers.edu:article/1By representing bookishness in non-traditional forms, Bo...
This study considers the contemporary handmade artists' book - books that are art - as dynamic vesse...
Reading Books and Prints as Cultural Objects, edited by Evanghelia Stead, is a sample selection of p...
This article is written from the perspective of an art book publisher, in this case the executive di...