Add to ORKGSince the disbanding of the last national company, opera in New Zealand has been underfunded and virtually relegated to the sidelines as an artistic activity. But, as Lindis Taylor, editor of Opera News, points out, regional opera has now acquired a new strength and vitality. In the light of a forthcoming review by the QEII Arts Council of their opera policy, he gives here a succinct background to these discussions
This timely thesis presents an analysis of opera and operatic practice in Australia in 2021. The aim...
This thesis attempts to show the ways in which governments treat opera as an institution, endorsing,...
Why would the MPACs need more funding? After all, they are already among the best-funded cultural or...
Adrienne Simpson's recent seminar at the Stout Centre on the Simonsen Opera Company gave striking ev...
Performances of Italian Opera houses are today particularly affected by diminishing Government budg...
Abstract Performances of Italian Opera houses are today particularly affected by diminishing Govern...
Despite the increasing number of music compositions by living composers, non-profit opera houses are...
From its first recognized performance in Italy at a royal wedding in 1597, opera gained the reputati...
Despite the surging number of new music compositions by living composers, nonprofit opera houses and...
In this article it is explored the effect of innovation on Italian opera houses’ performance. Innov...
In this paper, we clarify the present status of Japan’s opera troupes in light of their historical d...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
A bold, engaging exploration of opera's fundamental nature and enduring appeal, from the sixteenth c...
none1noManagement of arts and cultural organizations has recently gained importance especially in th...
Purpose: Opera houses have been traditionally publicly financed in many western countries. However, ...
This timely thesis presents an analysis of opera and operatic practice in Australia in 2021. The aim...
This thesis attempts to show the ways in which governments treat opera as an institution, endorsing,...
Why would the MPACs need more funding? After all, they are already among the best-funded cultural or...
Adrienne Simpson's recent seminar at the Stout Centre on the Simonsen Opera Company gave striking ev...
Performances of Italian Opera houses are today particularly affected by diminishing Government budg...
Abstract Performances of Italian Opera houses are today particularly affected by diminishing Govern...
Despite the increasing number of music compositions by living composers, non-profit opera houses are...
From its first recognized performance in Italy at a royal wedding in 1597, opera gained the reputati...
Despite the surging number of new music compositions by living composers, nonprofit opera houses and...
In this article it is explored the effect of innovation on Italian opera houses’ performance. Innov...
In this paper, we clarify the present status of Japan’s opera troupes in light of their historical d...
Sole British contribution to international peer-reviewed volume originating from the interdisciplina...
A bold, engaging exploration of opera's fundamental nature and enduring appeal, from the sixteenth c...
none1noManagement of arts and cultural organizations has recently gained importance especially in th...
Purpose: Opera houses have been traditionally publicly financed in many western countries. However, ...
This timely thesis presents an analysis of opera and operatic practice in Australia in 2021. The aim...
This thesis attempts to show the ways in which governments treat opera as an institution, endorsing,...
Why would the MPACs need more funding? After all, they are already among the best-funded cultural or...