Large guest performances featured by a small company. The story of Theatre TrafficIn 1976 Per Moth formed the small company Theater Traffic of Scandinavia, which until the early 1990s imported several smaller and larger guest performances, some of which attracted great attention in Denmark. Based on archives of the company, Stig Jarl, who was member of the board and worked with Theatre Traffic for a period, sheds light on the conditions for this kind of enterprise. The article also describes the special terms on which Theatre Traffic collaborated with Østre Gasværk, where many of the productions were shown
Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflec...
En anmeldelse af Gyldendals Teaterleksikon fra 2007, det første teaterleksikon på dansk
Denne teksten ble skrevet som et 30-minutters seminarinnlegg til fagdagen Dramaturgi i praksis, arra...
Large guest performances featured by a small company. The story of Theatre TrafficIn 1976 Per Moth f...
Theatre, Time, and Tendencies Contemporary reflections on historical accounts of performing arts in ...
What does it take for Danish performing arts to find its way into the world?Early attempts to presen...
Copenhagen Interanational Theatre – breaking new grounds in performing artsMetropolis is organized b...
Kirsten Hastrup: Theatre’s Space. An Analysis of the Stage in the World of Shakespeare In this artic...
This article emphasizes the aesthetic and ethical dimensions of fictional violence in two contempora...
When describing a cultural field sociologically, it is essential to know the identity of the actors ...
Eyes (excerpt from the manuscript)Eyes was a theatre performance at Momentum Theatre in Odense that ...
In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship betw...
The article examines how cultural policy promotes and restricts different forms of theatre organizat...
Ten Danish dramatrugs from different theatrical fields tell about their daily work and experoences, ...
“What does a festival producer do during winter?”In this essay, Lene Thiesen offers insights into th...
Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflec...
En anmeldelse af Gyldendals Teaterleksikon fra 2007, det første teaterleksikon på dansk
Denne teksten ble skrevet som et 30-minutters seminarinnlegg til fagdagen Dramaturgi i praksis, arra...
Large guest performances featured by a small company. The story of Theatre TrafficIn 1976 Per Moth f...
Theatre, Time, and Tendencies Contemporary reflections on historical accounts of performing arts in ...
What does it take for Danish performing arts to find its way into the world?Early attempts to presen...
Copenhagen Interanational Theatre – breaking new grounds in performing artsMetropolis is organized b...
Kirsten Hastrup: Theatre’s Space. An Analysis of the Stage in the World of Shakespeare In this artic...
This article emphasizes the aesthetic and ethical dimensions of fictional violence in two contempora...
When describing a cultural field sociologically, it is essential to know the identity of the actors ...
Eyes (excerpt from the manuscript)Eyes was a theatre performance at Momentum Theatre in Odense that ...
In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship betw...
The article examines how cultural policy promotes and restricts different forms of theatre organizat...
Ten Danish dramatrugs from different theatrical fields tell about their daily work and experoences, ...
“What does a festival producer do during winter?”In this essay, Lene Thiesen offers insights into th...
Udflugt til ungdomsland. Interview with Kristensen by Christoffersen and Krøgholt. Kristensen reflec...
En anmeldelse af Gyldendals Teaterleksikon fra 2007, det første teaterleksikon på dansk
Denne teksten ble skrevet som et 30-minutters seminarinnlegg til fagdagen Dramaturgi i praksis, arra...