Add to ORKGAn icon is a sacred work of art that is both material and spiritual, based on the cultural experience acquired by the Christian community over two thousand years of Christian civilization. This is the uniqueness and universality of the icon in the Christian concept of knowing and worshiping God. The authors analyse such philosophical foundations of icon painting as transcendentality, metaphysic and ontological nature, and anthropologism. The material and spiritual nature of the icon is determined, the theological foundations of icon painting are identified including the observance of the canons and mysticism. © 2022, Ecozone, OAIMDD. All rights reserved
In the first part of the thesis, the history of the icon origin and development is summarised, focus...
Icon is an inseparable part of the Orthodox Church tradition and worship life. The image of Christ i...
According to the Orthodox Theology, holy Icon is a reality of knowledge and vision of God. The icon ...
The paper under consideration makes an attempt of trying to find the sense of meaning and value foun...
Among our most cherished modern assumptions is our distance from the material world we claim to love...
ABSTRACT: The holy icons and church painting represented on the inner walls of the holy places of wo...
Human desire to be in a more natural relationship with God, his Creator, caused the form...
Iconography, especially emanating from Eastern Christianity, has a certain allurement for Western Ch...
The present dissertation studies St. Theodore of Studion\u27s theology of icon as he elaborated it i...
The article looks at sophiology as a phenomenon integral to Eastern Christianity, presented here as ...
Human desire to be in a more natural relationship with God, his Creator, caused the former to find...
The article looks at sophiology as a phenomenon integral to Eastern Christianity, presented here as ...
WSTĘP. 1. OBRAZ A IKONA. 2. IKONA – ZNACZENIE I TREŚĆ. 3. ANDRIEJ RUBLOW – IKONOGRAF WSZECHCZASÓW. ...
The objective of this paper is to introduce readers to the perspective of a particular icon, namely ...
In the first part of the thesis, the history of the icon origin and development is summarised, focus...
In the first part of the thesis, the history of the icon origin and development is summarised, focus...
Icon is an inseparable part of the Orthodox Church tradition and worship life. The image of Christ i...
According to the Orthodox Theology, holy Icon is a reality of knowledge and vision of God. The icon ...
The paper under consideration makes an attempt of trying to find the sense of meaning and value foun...
Among our most cherished modern assumptions is our distance from the material world we claim to love...
ABSTRACT: The holy icons and church painting represented on the inner walls of the holy places of wo...
Human desire to be in a more natural relationship with God, his Creator, caused the form...
Iconography, especially emanating from Eastern Christianity, has a certain allurement for Western Ch...
The present dissertation studies St. Theodore of Studion\u27s theology of icon as he elaborated it i...
The article looks at sophiology as a phenomenon integral to Eastern Christianity, presented here as ...
Human desire to be in a more natural relationship with God, his Creator, caused the former to find...
The article looks at sophiology as a phenomenon integral to Eastern Christianity, presented here as ...
WSTĘP. 1. OBRAZ A IKONA. 2. IKONA – ZNACZENIE I TREŚĆ. 3. ANDRIEJ RUBLOW – IKONOGRAF WSZECHCZASÓW. ...
The objective of this paper is to introduce readers to the perspective of a particular icon, namely ...
In the first part of the thesis, the history of the icon origin and development is summarised, focus...
In the first part of the thesis, the history of the icon origin and development is summarised, focus...
Icon is an inseparable part of the Orthodox Church tradition and worship life. The image of Christ i...
According to the Orthodox Theology, holy Icon is a reality of knowledge and vision of God. The icon ...