Crucifixion scenes in late medieval Ireland, as was typical elsewhere in Europe at the time, largely present a pitiful image of a wounded and tortured Christ. This paper examines the iconography of these scenes across various media including manuscript illumination and sculpture in stone and metalwork from the late fourteenth to the mid sixteenth century. The iconography is situated within the wider European artistic tradition and within the context of contemporary religious sentiment in Ireland as expressed through the literature and material culture. Finally, the interaction between image/object and the viewer is explored, and it is proposed that such imagery encouraged and often required an active rather than passive participation on beh...
Engravers of the post-Tridentine period recorded the most important events of their time in their et...
This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting be...
This dissertation is the first comprehensive and synthetic study of the Irish presentation and legen...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most famil...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
From the late Middle Ages, over the long fifteenth century, the appearance of grief shown through te...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
This study deals with the iconography of the Crucifixion on the mural paintings, which were produced...
Against the background of a general discussion of medieval devotional practices connected to the cru...
The thesis named Typology and Iconography of Christ in Distress motive. Devotional theme of Christ i...
From the first Christian centuries, martyrdom represented the most acute expression of suffering for...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alter...
Crónica de "Croch Saithir: Envisioning Christ on the Cross in the Early Medieval West", Cork, Irelan...
Engravers of the post-Tridentine period recorded the most important events of their time in their et...
This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting be...
This dissertation is the first comprehensive and synthetic study of the Irish presentation and legen...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most famil...
This thesis is concerned with the wounds of Christ in devotional images and texts from fifteenth- an...
From the late Middle Ages, over the long fifteenth century, the appearance of grief shown through te...
Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, dram...
This study deals with the iconography of the Crucifixion on the mural paintings, which were produced...
Against the background of a general discussion of medieval devotional practices connected to the cru...
The thesis named Typology and Iconography of Christ in Distress motive. Devotional theme of Christ i...
From the first Christian centuries, martyrdom represented the most acute expression of suffering for...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alter...
Crónica de "Croch Saithir: Envisioning Christ on the Cross in the Early Medieval West", Cork, Irelan...
Engravers of the post-Tridentine period recorded the most important events of their time in their et...
This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting be...
This dissertation is the first comprehensive and synthetic study of the Irish presentation and legen...