Georges Bataille and Hubert Aquin both explore a mystical experience displaying strong similarities, related to what Roger Caillois called « left sacred », that is the impure, malefic sacred, which is accessible by transgression and corresponds to the privileged moment of unity between people. For Bataille, God is absent, even dead: Lamma sabachtani is no longer a question but an assertion in his essays. The object of his new mystical theology is not God, but « the unknown». The divine is reduced to the human, transcendence to immanence. The goal is to free the mystical experience from its religious background and to make ecstasy accessible to every-one. It is precisely by communicating that men can break their isolation and unite themselve...
The present Phd Thesis sets to shed light on the topic of the “nightmare”, considered not as a bad d...
Without any reason or clue, the main character, Bruno, is convinced that he is cuckolded to the poin...
By requiring us to think the notion of play in his dramaturgical aspect, the main purpose of this pa...
Georges Bataille and Hubert Aquin both explore a mystical experience displaying strong similarities,...
Vanity, in its most general representation, invites us to stop for a moment our race ahead, to set a...
In the late 19th century a reversal of the values linked to the sacred and the profane can be observ...
As a substitute father figure, a mentor, a tutor and a writer to be admired and imitated, Barbey d’A...
At its peak in the 17th century, Vanity, thanks to its codification, persists beyond that age favour...
At the casino, Frédérique abandons herself to the roulette wheel, which gives her a protective “out ...
The caricature, in its most elementary representation, in its polysemy, its multiple extensions, ref...
Could vanities be the overlooked essence of so-called ‘libertine’ fiction? 18th century French eroti...
This article is a inquiry about how Barrès (1862-1923) handles the religious rite of pilgrimage. Bar...
This paper examines the way in which Marivaux, in The Life of Marianne, plays at “making it true” by...
The literature of the Romantics, in the first part of the 19th century, is steeped in religious doub...
Les Neuf Consciences du Malfini by Patrick Chamoiseau is a Bildungsroman centred around pedagogical ...
The present Phd Thesis sets to shed light on the topic of the “nightmare”, considered not as a bad d...
Without any reason or clue, the main character, Bruno, is convinced that he is cuckolded to the poin...
By requiring us to think the notion of play in his dramaturgical aspect, the main purpose of this pa...
Georges Bataille and Hubert Aquin both explore a mystical experience displaying strong similarities,...
Vanity, in its most general representation, invites us to stop for a moment our race ahead, to set a...
In the late 19th century a reversal of the values linked to the sacred and the profane can be observ...
As a substitute father figure, a mentor, a tutor and a writer to be admired and imitated, Barbey d’A...
At its peak in the 17th century, Vanity, thanks to its codification, persists beyond that age favour...
At the casino, Frédérique abandons herself to the roulette wheel, which gives her a protective “out ...
The caricature, in its most elementary representation, in its polysemy, its multiple extensions, ref...
Could vanities be the overlooked essence of so-called ‘libertine’ fiction? 18th century French eroti...
This article is a inquiry about how Barrès (1862-1923) handles the religious rite of pilgrimage. Bar...
This paper examines the way in which Marivaux, in The Life of Marianne, plays at “making it true” by...
The literature of the Romantics, in the first part of the 19th century, is steeped in religious doub...
Les Neuf Consciences du Malfini by Patrick Chamoiseau is a Bildungsroman centred around pedagogical ...
The present Phd Thesis sets to shed light on the topic of the “nightmare”, considered not as a bad d...
Without any reason or clue, the main character, Bruno, is convinced that he is cuckolded to the poin...
By requiring us to think the notion of play in his dramaturgical aspect, the main purpose of this pa...