[EN]This article focuses on La inocente Laura, a play written by Lope de Vega in the first decade of the 1600s that has received little critical attention in spite of its role in a transnational network of textual relations that connects Italy, England, Spain, and France. I will examine La inocente Laura's transformative relationship to its main source, a novella written by Italian author Giambattista Giraldi Cinzio, by analyzing how Lope included in his play a negative image of court life and evil courtiers not present in Cinzio's tale. I will do so with a comparative and contrastive perspective, as the same novella that inspired Lope's La inocente Laura was also used in England by Robert Greene for his play The Scottish History of James t...
This article discusses the reception of Lope de Vega’s work, specifically his dramatic compositions,...
Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are of undeniable inte...
This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre...
[EN]This article focuses on La inocente Laura, a play written by Lope de Vega in the first decade of...
The article focuses on the adaptation strategies used by Lope de Vega in his play El Gran Duque de M...
[EN]In this article I focus on the authorship of Siempre ayuda la verdad, an early modern Spanish pl...
In this article I will focus my attention on a little known play by Lope de Vega, Amor con vista. Fi...
In Lope de Vega’s extensive theatrical production, merchants do not often appear. When they do, they...
La paciencia en la fortuna is an early seventeenth-century Spanish play on royal favoritism whose au...
International audienceThis article concerns the female dedicatees of Lope de Vega present both in th...
In this article I examine some essential elements of the staging of Lope de Vega’s and William Shake...
International audienceThis article concerns the female dedicatees of Lope de Vega present both in th...
This article examines La desdicha en la constancia, a short novel by Miguel Moreno published in 1624...
Dans certains de ses travaux pionniers consacrés à la définition du sous-genre de la comedia genéalo...
This contribution focuses on Lope's conquest of Amsterdam's grand theater in the 40s and 50s of the ...
This article discusses the reception of Lope de Vega’s work, specifically his dramatic compositions,...
Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are of undeniable inte...
This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre...
[EN]This article focuses on La inocente Laura, a play written by Lope de Vega in the first decade of...
The article focuses on the adaptation strategies used by Lope de Vega in his play El Gran Duque de M...
[EN]In this article I focus on the authorship of Siempre ayuda la verdad, an early modern Spanish pl...
In this article I will focus my attention on a little known play by Lope de Vega, Amor con vista. Fi...
In Lope de Vega’s extensive theatrical production, merchants do not often appear. When they do, they...
La paciencia en la fortuna is an early seventeenth-century Spanish play on royal favoritism whose au...
International audienceThis article concerns the female dedicatees of Lope de Vega present both in th...
In this article I examine some essential elements of the staging of Lope de Vega’s and William Shake...
International audienceThis article concerns the female dedicatees of Lope de Vega present both in th...
This article examines La desdicha en la constancia, a short novel by Miguel Moreno published in 1624...
Dans certains de ses travaux pionniers consacrés à la définition du sous-genre de la comedia genéalo...
This contribution focuses on Lope's conquest of Amsterdam's grand theater in the 40s and 50s of the ...
This article discusses the reception of Lope de Vega’s work, specifically his dramatic compositions,...
Some of Lope de Vega’s comedies, those witnessed by an autograph manuscript, are of undeniable inte...
This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre...