This article concerns the international touring exhibition Art contre/against Apartheid originating in France and which reached Lunds konsthall, Sweden in 1984 and was to tour the world for ten years. The aim with this exhibition was to raise awareness of the apartheid regime, cause international protest and ultimately remove the repressive political system. Using histoire croisée as a method this article investigates the different interests and stake-holders in the exhibition at Lunds konsthall, including the critique of the exhibition as resting on white supremacy. The purpose of the article is to locate the different intersections regarding international art, international politics and local history manifested through this exhibition
Welcome to the second issue of the re-designed Nordic Journal of Aesthetics. Although this issue is ...
This thesis looks at the critical position of the 2004 New York exhibition “Personal Affects: Power ...
This review article engages with the 12th Berlin Biennale which was curated by Kader Attia and a tea...
The article will by emphasizing a transnational and geopolitical approach, investigate eight exhibit...
The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War ...
This article investigates exhibitions of Baltic contemporary art in the Early 1990s, that were direc...
The article presents the research project “Exhibiting across the Iron Curtain: The forgot-ten trail ...
The article examines how the Danish artists of the group Cobra appeared in front of exhibitions orga...
The Desire for Freedom: Art in Europe Since 1945, an ambitious project organized as the thirtieth ed...
This article examines two exhibitions introducing international surrealism in the North: Paris 1932 ...
Magister Artium - MA (English)After the 1976 student uprising, South Africa entered a period of incr...
Hosted by four African capitals and designed as a turn-over by Africans of « their » history, the Bi...
The year 2004 was the centenary of the outbreak of a colonial war in former German South West Africa...
During 2014 the Swedish city of Umeå was a European Capital of Culture, with the signature Umeå2014....
Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism...
Welcome to the second issue of the re-designed Nordic Journal of Aesthetics. Although this issue is ...
This thesis looks at the critical position of the 2004 New York exhibition “Personal Affects: Power ...
This review article engages with the 12th Berlin Biennale which was curated by Kader Attia and a tea...
The article will by emphasizing a transnational and geopolitical approach, investigate eight exhibit...
The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War ...
This article investigates exhibitions of Baltic contemporary art in the Early 1990s, that were direc...
The article presents the research project “Exhibiting across the Iron Curtain: The forgot-ten trail ...
The article examines how the Danish artists of the group Cobra appeared in front of exhibitions orga...
The Desire for Freedom: Art in Europe Since 1945, an ambitious project organized as the thirtieth ed...
This article examines two exhibitions introducing international surrealism in the North: Paris 1932 ...
Magister Artium - MA (English)After the 1976 student uprising, South Africa entered a period of incr...
Hosted by four African capitals and designed as a turn-over by Africans of « their » history, the Bi...
The year 2004 was the centenary of the outbreak of a colonial war in former German South West Africa...
During 2014 the Swedish city of Umeå was a European Capital of Culture, with the signature Umeå2014....
Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism...
Welcome to the second issue of the re-designed Nordic Journal of Aesthetics. Although this issue is ...
This thesis looks at the critical position of the 2004 New York exhibition “Personal Affects: Power ...
This review article engages with the 12th Berlin Biennale which was curated by Kader Attia and a tea...