This is a portfolio of mixed compositions for a range of musical media. Composition as research is the main theme running throughout the portfolio. Particular focus is given to experimental aspects of composition, in order to see how these function as both creative tools and modes of communication. For example, use of sampling, use of code followed by digital manipulation, conventional notation and unconventional instruments. Some of the compositions are written specifically for performance, one is written specifically as sound design for a film, and others stand as experimental electronic works
The first half of this thesis begins from what for me are the four most significant innovations of t...
UTTERANCE for large orchestra (2002) AN OPERA OF CLOUDS for two singers, speaker, chamber ensemble,...
The submission consists in a portfolio of eight compositions of instrumental, electroacoustic and mi...
This is a portfolio of ten compositions composed at the Electroacoustic Music Studios at the Univers...
The objective of my portfolio is to develop a new compositional process that involves analysing reco...
This portfolio of eleven scores and an accompanying commentary is an in depth investigation into the...
The main focus of my PhD submission is a portfolio of compositions. This selection of pieces present...
This portfolio of compositions contains ten pieces, composed between 2012 and 2016. It is a mixed p...
Growing up in a non-musical family, the type of music I first encountered was popular music. My ear...
The pieces in this portfolio cover a wide range of methods and styles - from work for a single vocal...
My portfolio of compositions comprises 13 original composition scores and accompanying CD and DVD me...
This portfolio of original compositions is made up of six works, two electroacoustic and four acoust...
The portfolio compositions examine the effects of using differing textures and colour within origina...
This thesis consists of a portfolio of fourteen compositions, an accompanying commentary and recordi...
This PhD folio is a development of my previous compositional background, especially of works compose...
The first half of this thesis begins from what for me are the four most significant innovations of t...
UTTERANCE for large orchestra (2002) AN OPERA OF CLOUDS for two singers, speaker, chamber ensemble,...
The submission consists in a portfolio of eight compositions of instrumental, electroacoustic and mi...
This is a portfolio of ten compositions composed at the Electroacoustic Music Studios at the Univers...
The objective of my portfolio is to develop a new compositional process that involves analysing reco...
This portfolio of eleven scores and an accompanying commentary is an in depth investigation into the...
The main focus of my PhD submission is a portfolio of compositions. This selection of pieces present...
This portfolio of compositions contains ten pieces, composed between 2012 and 2016. It is a mixed p...
Growing up in a non-musical family, the type of music I first encountered was popular music. My ear...
The pieces in this portfolio cover a wide range of methods and styles - from work for a single vocal...
My portfolio of compositions comprises 13 original composition scores and accompanying CD and DVD me...
This portfolio of original compositions is made up of six works, two electroacoustic and four acoust...
The portfolio compositions examine the effects of using differing textures and colour within origina...
This thesis consists of a portfolio of fourteen compositions, an accompanying commentary and recordi...
This PhD folio is a development of my previous compositional background, especially of works compose...
The first half of this thesis begins from what for me are the four most significant innovations of t...
UTTERANCE for large orchestra (2002) AN OPERA OF CLOUDS for two singers, speaker, chamber ensemble,...
The submission consists in a portfolio of eight compositions of instrumental, electroacoustic and mi...