Add to ORKGIn the book THE STORY OF JAZZ, author Marshall Stearns (1956) tells the story of a conference of musicologists. During a conversation following the conference, a representative from the classical music world told another from the jazz world that it wasn\u27t that he hated jazz music, it was the fact that its musicians and patrons treated the music as if it were holy. The jazz person pointed out the same could be said about people in the classical world. The classical person\u27s response to this accusation was simply, Ah, BUT CLASSICAL MUSIC IS
My project examines narrative formation and the cultural construction of racial bias in the 1950s mu...
The aim of this thesis is to investigate some significant examples of the process by which jazz has ...
For too long, jazz writers, including the handful of academics who can legitimately be called ‘Jazz ...
The Color of Sound is a history of the American intelligentsia’s response to jazz in the 20 years be...
In the world of symphony music people have long been aware of the frequent tensions that may develop...
In my thesis paper I am examining the birth and art of jazz, which creates a vital part of American...
Includes bibliographical references (pages 76-79)Artists, as a rule, stand apart from the society th...
‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the intera...
‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the intera...
At the time of its conception in the United States, jazz synthesized a variety of accessible, sponta...
Historical accuracy is only one of the components of a scholarly college textbook used to teach the ...
In his 2009 article, Can Jazz Be Saved?, Wall Street Journal columnist Terry Teachout asserted that ...
Charles Mingus was a jazz icon who helped to redefine the barriers that were inherent for those whos...
Historiography handles the way that historians\u27 writings on a given topic has changed over time. ...
This dissertation is an intellectual history of African-American jazz musicians. Although the jazz c...
My project examines narrative formation and the cultural construction of racial bias in the 1950s mu...
The aim of this thesis is to investigate some significant examples of the process by which jazz has ...
For too long, jazz writers, including the handful of academics who can legitimately be called ‘Jazz ...
The Color of Sound is a history of the American intelligentsia’s response to jazz in the 20 years be...
In the world of symphony music people have long been aware of the frequent tensions that may develop...
In my thesis paper I am examining the birth and art of jazz, which creates a vital part of American...
Includes bibliographical references (pages 76-79)Artists, as a rule, stand apart from the society th...
‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the intera...
‘Valuing Jazz: Cross-cultural Comparisons of the Classical Influence in Jazz’ re-examines the intera...
At the time of its conception in the United States, jazz synthesized a variety of accessible, sponta...
Historical accuracy is only one of the components of a scholarly college textbook used to teach the ...
In his 2009 article, Can Jazz Be Saved?, Wall Street Journal columnist Terry Teachout asserted that ...
Charles Mingus was a jazz icon who helped to redefine the barriers that were inherent for those whos...
Historiography handles the way that historians\u27 writings on a given topic has changed over time. ...
This dissertation is an intellectual history of African-American jazz musicians. Although the jazz c...
My project examines narrative formation and the cultural construction of racial bias in the 1950s mu...
The aim of this thesis is to investigate some significant examples of the process by which jazz has ...
For too long, jazz writers, including the handful of academics who can legitimately be called ‘Jazz ...