DOIAbstract
Review-essay of Yuval Sharon's staging of La Boheme for Detroit Opera. Situates the opera company within the broader urban cultural politics in the Motor City
Review-essay of Yuval Sharon's staging of La Boheme for Detroit Opera. Situates the opera company within the broader urban cultural politics in the Motor City
How do practitioners understand the relationship between performance, history and emotion in Western...
peer reviewedThe essay offers an analysis of the 2008 production of ‘Don Giovanni’ by Mozart/Da Pont...
New York City Opera National Company (Beverly Sills, General Director)Notes by Michael Budds.Include...
This article is part of a project that has received funding from the European Union's Horizon 2020 r...
The premiere effort of the Renée Fleming Initiative brought Jerome Kern and Oscar Hammerstein’s mast...
In lieu of an abstract, below is the essay\u27s first paragraph. Samson et Dalila, a French opera co...
Opera Review: The Scarlet Ibis (Bill Holab Music, 2015) by Stefan Weisman and David Cote (libretto)....
L'articolo mette in luce l'aspetto 'positivista' della Bohème di Puccini, legata ad aspetti della vi...
This post-peer-review, pre-copyedit version of the article submitted to IUPUI ScholarWorks as part o...
Compte rendu de la présentation de la pièce « Count Basil » de Joanna Baillie montée par la compagni...
Short article on contemporary British opera commissioned by BASCA (British Academy of Songwriters, C...
Brecht and Weill\u27s Aufstieg und Fall der Stadt Mahagonny stages operatic self-critique. The dynam...
Opera has long been the dominion of singers, composers, and conductors. Opera scholarship has been ...
This article reflects upon the director’s experience of directing Gluck’s Iphigénie en Tauride with ...
Through investigating the production and reception of Death in Venice (1973), this essay considers t...
How do practitioners understand the relationship between performance, history and emotion in Western...
peer reviewedThe essay offers an analysis of the 2008 production of ‘Don Giovanni’ by Mozart/Da Pont...
New York City Opera National Company (Beverly Sills, General Director)Notes by Michael Budds.Include...
This article is part of a project that has received funding from the European Union's Horizon 2020 r...
The premiere effort of the Renée Fleming Initiative brought Jerome Kern and Oscar Hammerstein’s mast...
In lieu of an abstract, below is the essay\u27s first paragraph. Samson et Dalila, a French opera co...
Opera Review: The Scarlet Ibis (Bill Holab Music, 2015) by Stefan Weisman and David Cote (libretto)....
L'articolo mette in luce l'aspetto 'positivista' della Bohème di Puccini, legata ad aspetti della vi...
This post-peer-review, pre-copyedit version of the article submitted to IUPUI ScholarWorks as part o...
Compte rendu de la présentation de la pièce « Count Basil » de Joanna Baillie montée par la compagni...
Short article on contemporary British opera commissioned by BASCA (British Academy of Songwriters, C...
Brecht and Weill\u27s Aufstieg und Fall der Stadt Mahagonny stages operatic self-critique. The dynam...
Opera has long been the dominion of singers, composers, and conductors. Opera scholarship has been ...
This article reflects upon the director’s experience of directing Gluck’s Iphigénie en Tauride with ...
Through investigating the production and reception of Death in Venice (1973), this essay considers t...
How do practitioners understand the relationship between performance, history and emotion in Western...
peer reviewedThe essay offers an analysis of the 2008 production of ‘Don Giovanni’ by Mozart/Da Pont...
New York City Opera National Company (Beverly Sills, General Director)Notes by Michael Budds.Include...
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