This special issue of Photographies is dedicated to the intricate relationship between photography and museums. More specifically, it focuses on artistic practices that use photography to challenge the theoretical complexities of this relationship. The featured papers of this issue examine what happens when artists turn their lens on such museum practices as collecting, archiving, exhibiting and interpretin
Exploring the relationship between fashion photography and the museum since the late 1970s. The arti...
A hundred and twenty years after G. Eastman launched his Kodak box camera with the slogan ‘You press...
" The contributors—international curators and scholars from a range of disciplines—examine the emerg...
Issue 04 of The Garage Journal publishes innovative scholarship on the relationship between the movi...
The first transnational history of photography’s accommodation in the art museum Photography was lo...
This article employs photography as a vehicle to explore museums and their increasing attempts to g...
Museums and Photography adopts a strong theoretical approach in an in-depth investigation of the dis...
This essay gives an interpretation of the first exhibition ever held of photo-graphs from the archiv...
This paper deals with photography’s wider integration in art, and its role in current Western-art in...
It was not until the early 1980s that photography was fully accommodated as an independent disciplin...
This chapter explores ideas and arguments about the proliferation and circulation of photographic an...
This paper deals with photography’s wider integration in art, and its role in current Western-art in...
This new issue of the Journal of Science and Technology of the Arts intends to survey photography as...
Long neglected as a second-rate art, photography was accommodated in the art museum in the late 1970...
In the timeline where histories of art and photography intersect, Preziosi, with his statement of "A...
Exploring the relationship between fashion photography and the museum since the late 1970s. The arti...
A hundred and twenty years after G. Eastman launched his Kodak box camera with the slogan ‘You press...
" The contributors—international curators and scholars from a range of disciplines—examine the emerg...
Issue 04 of The Garage Journal publishes innovative scholarship on the relationship between the movi...
The first transnational history of photography’s accommodation in the art museum Photography was lo...
This article employs photography as a vehicle to explore museums and their increasing attempts to g...
Museums and Photography adopts a strong theoretical approach in an in-depth investigation of the dis...
This essay gives an interpretation of the first exhibition ever held of photo-graphs from the archiv...
This paper deals with photography’s wider integration in art, and its role in current Western-art in...
It was not until the early 1980s that photography was fully accommodated as an independent disciplin...
This chapter explores ideas and arguments about the proliferation and circulation of photographic an...
This paper deals with photography’s wider integration in art, and its role in current Western-art in...
This new issue of the Journal of Science and Technology of the Arts intends to survey photography as...
Long neglected as a second-rate art, photography was accommodated in the art museum in the late 1970...
In the timeline where histories of art and photography intersect, Preziosi, with his statement of "A...
Exploring the relationship between fashion photography and the museum since the late 1970s. The arti...
A hundred and twenty years after G. Eastman launched his Kodak box camera with the slogan ‘You press...
" The contributors—international curators and scholars from a range of disciplines—examine the emerg...
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