Cultural Heritage Digitisation Through European Funding

Magistrska naloga je pregled kratke zgodovine kulturne dediščine, od prvih pobud ohranjanja, ustanavljanja muzejev, do različnih politik, ki so bile predlagane na ravni Evropske unije in pobud ter možnosti sofinanciranja, z namenom ohranjanja in varovanja, ki jih je EU vzpostavila za in v sodelovanju z državami članicami. Kultuna dediščina se sooča z grožnjami kot so podnebne spremembe, vojne in ne nazadnje tudi masovni turizem, kar je rezultirano v težnji po ponovni opredelitvi politik kulturne dediščine, z namenom njenega ohranjanja, razširjanja in približanja ljudem, da bi vsi začutili odgovornost do skupne zgodovine. Na podlagi tega in tudi čedalje hitrejšega vstopa sveta v digitalno dobo so se začele razvijati politike digitalizacije kulturne dediščine in vzpostavitve skupnih podatkovnih prostorov, kjer bo digitalizirana dediščina na voljo za spoznavanje, raziskovanje in izobraževanje vsem, hkrati pa se je začel z vpeljavo digitalnega razvijati povsem nov odnos med ustanovami kulturne dediščine in obiskovalci. Evropska unija je prepoznala kulturno dediščino kot pomemben del skupne zgodovine in kot pomemben sektor povezovanja, kar pomeni, da mu je v zadnjih petnajstih letih z usmerjenim financiranjem pomagala do preporoda in ponovne oživitve. Magistrska naloga raziskuje dobre primere projektov in implementacije različnih novih tehnologij, hkrati pa ob koncu ponudi tudi določene smernice sofinanciranja podobnih projektov v novem finančnem obdobju 2021-2027 ter med programi sofinanciranja in politikami potegne vzporednice, ki so lahko v pomoč novim prijaviteljem.This Master\u27s thesis is a short overview of the history of cultural heritage, from the first conservation initiatives, the establishment of museums, to the various policies proposed at European Union level in regards to co-financing possibilities for conservation and protection of cultural heritage established by the EU for and in cooperation with Member States. Cultural heritage faces threats such as climate change, wars and, last but not least, mass tourism, resulting in a desire to redefine cultural heritage policies in order to preserve, disseminate and bring them closer to the people so that everyone can feel responsibility for common history. Based on this, as well as the increasingly rapid entry of the world into the digital age, policies have begun to develop about the digitization of cultural heritage and the establishment of common data spaces where digitized heritage will be available for learning, research and education for all. With the introduction of digital, a completely new relationship began to develop between cultural heritage institutions and their visitors. The European Union has recognized cultural heritage as an important part of its common history and as an important sector of integration, which means that it has helped it to revive and revitalize itself over the last fifteen years through targeted funding. The Master\u27s thesis explores good examples of projects and implementations of various new technologies, while also providing certain guidelines for co-financing similar projects in the new financial period 2021-2027. In its final chapter, the thesis draws parallels between co-financing programmes and newly established policies that could help new applicants