Add to ORKGAdorno subsidiarily brings Samuel Beckett back to a kind of philosophy of modern music or to a modern philosophical music. Along this line, Adorno establishes analogies among Kafka, Beckett and Schönberg, which deny the function of art as a sedation of anxiety, creating an art that is above all a mockery of the authenticity of existentialism. The essay then explains the relationship of Adorno’s theories with Kierkegaard, but above all with Schopenhauer, from whom the German thinker derives an idea of ascetic art, distant and opposed to the infernal social voluntas
The present article aims to explore some themes of György Lukács and Theodor Adorno’s art theory rel...
The case of Kafka stands at the very centre of Adorno’s articulation of modernist mimesis. His main ...
Adorno points out the philosophical transcendence of art but –against Hegel– he does it on the base ...
Adorno subsidiarily brings Samuel Beckett back to a kind of philosophy of modern music or to a moder...
BYLAARDT, Cid Ottoni. Arte engajada e arte autônoma no pensamento de Theodor Adorno. Pandaemonium Ge...
This study examines the various ways in which the paradigm of music informs the account of the liter...
The main purpose of this paper is to clarify the category of the aesthetic in context of Adorno’s cr...
Adorno’s dialectical approach to aesthetics is perhaps understood better in terms of his monumental ...
In the essay "Engagement", published in 1962, Theodor Adorno discusses the duality between committed...
Con Hegel y Heidegger, Adorno destaca la relevancia filosófica del arte, pero, a diferencia de ello...
The Adorno s philosophy makes its way out of the tradition since the starting point, since the relat...
ROCHA, Jessé da Costa. Adorno e a Nova Música. 2006. 86f. – Dissertação (Mestrado) – Universidade Fe...
What Theodor W. Adorno says cannot be separated from how he says it, and what he thinks cannot be is...
Summary The aim of this paper is to provide an examination of the concept of aesthetic rationality ...
In this paper, I explore the conception of melancholy that emerges from Hölderlin’s poem "Mnemosyne"...
The present article aims to explore some themes of György Lukács and Theodor Adorno’s art theory rel...
The case of Kafka stands at the very centre of Adorno’s articulation of modernist mimesis. His main ...
Adorno points out the philosophical transcendence of art but –against Hegel– he does it on the base ...
Adorno subsidiarily brings Samuel Beckett back to a kind of philosophy of modern music or to a moder...
BYLAARDT, Cid Ottoni. Arte engajada e arte autônoma no pensamento de Theodor Adorno. Pandaemonium Ge...
This study examines the various ways in which the paradigm of music informs the account of the liter...
The main purpose of this paper is to clarify the category of the aesthetic in context of Adorno’s cr...
Adorno’s dialectical approach to aesthetics is perhaps understood better in terms of his monumental ...
In the essay "Engagement", published in 1962, Theodor Adorno discusses the duality between committed...
Con Hegel y Heidegger, Adorno destaca la relevancia filosófica del arte, pero, a diferencia de ello...
The Adorno s philosophy makes its way out of the tradition since the starting point, since the relat...
ROCHA, Jessé da Costa. Adorno e a Nova Música. 2006. 86f. – Dissertação (Mestrado) – Universidade Fe...
What Theodor W. Adorno says cannot be separated from how he says it, and what he thinks cannot be is...
Summary The aim of this paper is to provide an examination of the concept of aesthetic rationality ...
In this paper, I explore the conception of melancholy that emerges from Hölderlin’s poem "Mnemosyne"...
The present article aims to explore some themes of György Lukács and Theodor Adorno’s art theory rel...
The case of Kafka stands at the very centre of Adorno’s articulation of modernist mimesis. His main ...
Adorno points out the philosophical transcendence of art but –against Hegel– he does it on the base ...