A drawing for a fireplace, today preserved at the biblioteca Ambrosiana in Milan (codex F 252 inf., f. 637), deserves to be again discussed for the mythological subjects which enrich its decorations and for its possible patrons at the beginning of the 16th century. the scenes and figures represented permit perhaps to recognize a cultural context other than the Milanese one, where scenes coming from classical mythology were less common. Moreover, the subjects suggest some discussions on the artistic relations between Milan and Mantua and Ferrara at the early cinquecento
This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Anniba...
The Fire in the Borgo is the most complex of the four episodes in the Stanza dell'Incendio di Borgo....
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
A drawing for a fireplace, today preserved at the biblioteca Ambrosiana in Milan (codex F 252 inf., ...
Actes du colloque de Montalbano-Elicona (18-22 septembre 2009)International audienceIn Roman mytholo...
Images of mythological heroes, the half-mortal descendants of pagan deities, abounded in the visual ...
The research field addressed by this thesis is the commedia dell'arte and its iconography in the per...
In the rich 16th-century decoration of Palazzo del Principe in Genoa, scenes from the myth of Promet...
Between 1792 and 1793 the Uffizi Gallery and the Imperial Museums of Vienna organised an exchange of...
The work focuses on "Italian Renaissance Drawings from Years 1500-1520 in the Public Czech Collectio...
The Marciana Library, built since 1537, is the first great public commission obtained by Jacopo Sans...
The paper reconsiders a calyx crater (Milan Archaeological Museum, St. Inv. 6873) which is ascribed...
Lo studio prende in esame sinteticamente i fenomeni e i protagonisti dell'arte rinascimentale che a ...
The Milanese plays hold an important role in the dramatic survey of the late fifteenth century. Thus...
The architectural typology of the gallery in Lombardy during the Spanish and Austrian ages is attest...
This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Anniba...
The Fire in the Borgo is the most complex of the four episodes in the Stanza dell'Incendio di Borgo....
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
A drawing for a fireplace, today preserved at the biblioteca Ambrosiana in Milan (codex F 252 inf., ...
Actes du colloque de Montalbano-Elicona (18-22 septembre 2009)International audienceIn Roman mytholo...
Images of mythological heroes, the half-mortal descendants of pagan deities, abounded in the visual ...
The research field addressed by this thesis is the commedia dell'arte and its iconography in the per...
In the rich 16th-century decoration of Palazzo del Principe in Genoa, scenes from the myth of Promet...
Between 1792 and 1793 the Uffizi Gallery and the Imperial Museums of Vienna organised an exchange of...
The work focuses on "Italian Renaissance Drawings from Years 1500-1520 in the Public Czech Collectio...
The Marciana Library, built since 1537, is the first great public commission obtained by Jacopo Sans...
The paper reconsiders a calyx crater (Milan Archaeological Museum, St. Inv. 6873) which is ascribed...
Lo studio prende in esame sinteticamente i fenomeni e i protagonisti dell'arte rinascimentale che a ...
The Milanese plays hold an important role in the dramatic survey of the late fifteenth century. Thus...
The architectural typology of the gallery in Lombardy during the Spanish and Austrian ages is attest...
This print appeared as a frontispiece to a book of etchings depicting the frescoes painted by Anniba...
The Fire in the Borgo is the most complex of the four episodes in the Stanza dell'Incendio di Borgo....
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...