In London in 1620, two controversial pamphlets entered the communication circuit: ‘Hic-Mulier; or, The Man-Woman’ and ‘Haec-Vir; or, The Womanish Man’. The first pamphlet addresses women who dress in masculine clothing and behave like men. The second pamphlet is written in the form of a dialogue, declared on the title page as an answer to ‘Hic-Mulier’, and argues that the only reason women have adopted this behaviour is in fact because men have become too feminine. ‘Haec-Vir’ has as a result of this been considered not only a defence of the cross-dressing woman, but as an account of female liberty. Modern scholarship regarding textual material considering women in a positive light, but pre-dates the modern feminist movement tends to treat t...
This dissertation argues that understandings of gender subtly transformed throughout the sixteenth a...
This essay explores cross-gender casting of Renaissance canonical texts in modern British theatrical...
“The Clothes Make the Man: Theatrical Crossdressing as Expression of Gender Fluidity in Seventeenth-...
This dissertation investigates the textual gesture whereby a male author--the ladies\u27 man of my t...
grantor: University of TorontoIn 1640, George A. Thomason, perceiving that he lived in int...
This dissertation analyzes cross-dressing as a means through which texts (re)construct masculinity a...
This dissertation is a study of the cross-dressed characters who appear repeatedly in literary texts...
"In Silence My Tongue is Broken": The Social Construction of Women's Rhetoric Before 1750 examines t...
The issue of boy actors playing female roles in English Renaissance drama has been widely discussed ...
This work concentrates on how Shakespeare represented his female characters in different historical ...
Ocular Demonstrations is a. feminist literary study of the theoretical implications of cross-dressin...
Feminist scholars of Shakespeare and contemporaries have become increasingly interested in the pract...
This is a dissertation about different types of cross-dressed performance in Shakespearean drama. T...
This paper examines the diverse possibilities of female representations in Christine de Pizan’s The ...
The capacity for the human voice to express a speaker's desires and shape a listener's will is a con...
This dissertation argues that understandings of gender subtly transformed throughout the sixteenth a...
This essay explores cross-gender casting of Renaissance canonical texts in modern British theatrical...
“The Clothes Make the Man: Theatrical Crossdressing as Expression of Gender Fluidity in Seventeenth-...
This dissertation investigates the textual gesture whereby a male author--the ladies\u27 man of my t...
grantor: University of TorontoIn 1640, George A. Thomason, perceiving that he lived in int...
This dissertation analyzes cross-dressing as a means through which texts (re)construct masculinity a...
This dissertation is a study of the cross-dressed characters who appear repeatedly in literary texts...
"In Silence My Tongue is Broken": The Social Construction of Women's Rhetoric Before 1750 examines t...
The issue of boy actors playing female roles in English Renaissance drama has been widely discussed ...
This work concentrates on how Shakespeare represented his female characters in different historical ...
Ocular Demonstrations is a. feminist literary study of the theoretical implications of cross-dressin...
Feminist scholars of Shakespeare and contemporaries have become increasingly interested in the pract...
This is a dissertation about different types of cross-dressed performance in Shakespearean drama. T...
This paper examines the diverse possibilities of female representations in Christine de Pizan’s The ...
The capacity for the human voice to express a speaker's desires and shape a listener's will is a con...
This dissertation argues that understandings of gender subtly transformed throughout the sixteenth a...
This essay explores cross-gender casting of Renaissance canonical texts in modern British theatrical...
“The Clothes Make the Man: Theatrical Crossdressing as Expression of Gender Fluidity in Seventeenth-...