Writing and dance have been positioned by scholars in a contraposed play throughout the chronological period from the Renaissance to today: dancing begins when writing stops. Scholars have accused dance of ephemerality and have attempted to salvage it through notation. In postmodern and contemporary dance, some choreographers challenge traditional assumptions about the primacy and stability of text and documentation. They ‘write’ with dance in both conceptual and alphabetic ways, some exploring the dimension of race. This study tests theories by Mark Franko and André Lepecki through analysis of dance reenactment strategies and interventions by choreographers Trisha Brown and Christopher-Rasheem McMillan
As choreographers, dancers, and researchers, the authors explain how choreography and self-reflectiv...
Dance is an art form that is traditionally taught through physical demonstration. Choreography is fo...
Writing has been cast as monstrous – or at least violent – in its ability to disfigure, maim and des...
Writing and dance have been positioned by scholars in a contraposed play throughout the chronologica...
This paper proposes a challenge to the status of dance in writing practices, where historical defini...
This paper proposes a challenge to the status of dance in writing practices, where historical defini...
© 2015 Susan Elizabeth BendallMine is an experiential account of writing’s relationship to dance and...
Writing has been cast as monstrous – or at least violent – in its ability to disfigure, maim and des...
Starting from differences between reenactment and the more established practice of historical recons...
Despite having existed since the late 1500’s dance notation has not taken off in the public sphere, ...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
Abstract: Within the Western-based performing arts of the last decade, there has been an increasing ...
Dance criticism has long been integral to dance as an art form, serving as documentation and validat...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
As choreographers, dancers, and researchers, the authors explain how choreography and self-reflectiv...
Dance is an art form that is traditionally taught through physical demonstration. Choreography is fo...
Writing has been cast as monstrous – or at least violent – in its ability to disfigure, maim and des...
Writing and dance have been positioned by scholars in a contraposed play throughout the chronologica...
This paper proposes a challenge to the status of dance in writing practices, where historical defini...
This paper proposes a challenge to the status of dance in writing practices, where historical defini...
© 2015 Susan Elizabeth BendallMine is an experiential account of writing’s relationship to dance and...
Writing has been cast as monstrous – or at least violent – in its ability to disfigure, maim and des...
Starting from differences between reenactment and the more established practice of historical recons...
Despite having existed since the late 1500’s dance notation has not taken off in the public sphere, ...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
Abstract: Within the Western-based performing arts of the last decade, there has been an increasing ...
Dance criticism has long been integral to dance as an art form, serving as documentation and validat...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
This paper undertakes a critical re-examination of the ways in which dance-making relationships betw...
As choreographers, dancers, and researchers, the authors explain how choreography and self-reflectiv...
Dance is an art form that is traditionally taught through physical demonstration. Choreography is fo...
Writing has been cast as monstrous – or at least violent – in its ability to disfigure, maim and des...