‘Silent Archive’ proposes a new methodology to study historical archives and aims to focus on what has been left unsaid and with that re-approach the history of the Holocaust by focusing on this silence. I will use movements and sounds instead of words to learn about the past and stand against today’s persistence of anti-Semitism and racism. I will specifically refer to Georgio Agamben’s description of the impossibility to understand the experience of those who did not survive in ‘Remnants of Auschwitz’ and will propose methodologies to be as close as possible to their experience. I will study the testimonies in the archive of the Leo Baeck Institute of people who did not survive the Holocaust and identify descriptions of sounds and movemen...
Holocaust research and archives are undergoing a digital transformation, most obviously seen in the ...
A complex artistic research on the theme of cultural heritage and (neo)colonial processes of materia...
Creating an Archive. Anna Baumgart’s §1000 The article is an analysis of Anna Baumgart’s fi...
Scholars regularly point to musical activity in Theresienstadt as evidence of thriving Jewish cultur...
This paper analyzes new forms of digitalized archival presentation at the Holocaust Memorial in Berl...
The project aims to research, realise and publicly stage a performance environment inspired by the c...
Whilst testimony has been studied in a variety of disciplinary fields the relevance of sound as a me...
Music was a constant and crucial component of everyday life in World War II concentration camps. In ...
The following article discusses the Sound Archive of the Ruhr. Our project touches upon a set of que...
The “twice-looted” archives refer to a vast body of documents that were looted by Nazi agencies duri...
Trauma, Memory and Silenced History is a reflection on my progress as a practising visual artist dur...
How can we “see” a visual archive of genocide? What are the possibilities –and limits—of testimonial...
75 years have passed since the liberation of Auschwitz, but racism, nationalism and xenophobia (incl...
The article presents the conclusions of the research conducted by the author in the collection of th...
This article aims to consider not only sound recordings of speech samples as historical sources, but...
Holocaust research and archives are undergoing a digital transformation, most obviously seen in the ...
A complex artistic research on the theme of cultural heritage and (neo)colonial processes of materia...
Creating an Archive. Anna Baumgart’s §1000 The article is an analysis of Anna Baumgart’s fi...
Scholars regularly point to musical activity in Theresienstadt as evidence of thriving Jewish cultur...
This paper analyzes new forms of digitalized archival presentation at the Holocaust Memorial in Berl...
The project aims to research, realise and publicly stage a performance environment inspired by the c...
Whilst testimony has been studied in a variety of disciplinary fields the relevance of sound as a me...
Music was a constant and crucial component of everyday life in World War II concentration camps. In ...
The following article discusses the Sound Archive of the Ruhr. Our project touches upon a set of que...
The “twice-looted” archives refer to a vast body of documents that were looted by Nazi agencies duri...
Trauma, Memory and Silenced History is a reflection on my progress as a practising visual artist dur...
How can we “see” a visual archive of genocide? What are the possibilities –and limits—of testimonial...
75 years have passed since the liberation of Auschwitz, but racism, nationalism and xenophobia (incl...
The article presents the conclusions of the research conducted by the author in the collection of th...
This article aims to consider not only sound recordings of speech samples as historical sources, but...
Holocaust research and archives are undergoing a digital transformation, most obviously seen in the ...
A complex artistic research on the theme of cultural heritage and (neo)colonial processes of materia...
Creating an Archive. Anna Baumgart’s §1000 The article is an analysis of Anna Baumgart’s fi...