Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Shakespeare’s lifetime changed absolutely everything. Founder of the Duke’s Company, Sir William Davenant influenced how Shakespeare was performed in a profound and lasting way. This open access book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant’s approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke’s Company performed, Davenant’s adaptations of Shakespeare’s plays, acting styles, and the lasting legacy of Davenant’s approach to staging Shakespeare. The eBook editions of this work are available open access under a CC...
"American preface" dated Boston 1859, but imprint indicates a later date (after 1868) Contains the s...
A brief commentary prepared by Elizabeth Mackay, PhD, Lecturer, English, on the following work: Will...
My thesis examines the production practices of the Propeller Theatre Company, an all-male ensemble u...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
After the theatres were re-opened in England at the Restoration, there were many adaptions made of S...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...
Each volume in the Shakespeare in the Theatre series focuses on a director or theatre company who ha...
This project, “Recasting William Shakespeare in The Business of Playwriting,” works to reinvigorate ...
v. 1. History of the English drama and stage. The life of William Shakespeare. Shakespeare's will. T...
This article examines what the emerging field of rehearsal studies can offer scholars of Shakespeare...
What if the theatre industry that made someone like William Shakespeare possible was predicated on c...
On cover: International edition.v. 1. History of the English drama and stage. The life of William Sh...
Othello is one of Shakespeare's most theatrically striking plays. This Handbook focuses on Othello a...
"American preface" dated Boston 1859, but imprint indicates a later date (after 1868) Contains the s...
A brief commentary prepared by Elizabeth Mackay, PhD, Lecturer, English, on the following work: Will...
My thesis examines the production practices of the Propeller Theatre Company, an all-male ensemble u...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge U...
After the theatres were re-opened in England at the Restoration, there were many adaptions made of S...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...
Each volume in the Shakespeare in the Theatre series focuses on a director or theatre company who ha...
This project, “Recasting William Shakespeare in The Business of Playwriting,” works to reinvigorate ...
v. 1. History of the English drama and stage. The life of William Shakespeare. Shakespeare's will. T...
This article examines what the emerging field of rehearsal studies can offer scholars of Shakespeare...
What if the theatre industry that made someone like William Shakespeare possible was predicated on c...
On cover: International edition.v. 1. History of the English drama and stage. The life of William Sh...
Othello is one of Shakespeare's most theatrically striking plays. This Handbook focuses on Othello a...
"American preface" dated Boston 1859, but imprint indicates a later date (after 1868) Contains the s...
A brief commentary prepared by Elizabeth Mackay, PhD, Lecturer, English, on the following work: Will...
My thesis examines the production practices of the Propeller Theatre Company, an all-male ensemble u...