The poem, written in exile, is among Ovid’s less well-known works. Following, as indicated by the writer himself, the literary tradition of invective pieces in the style of Archilochus and a lost poem of the same title by Callimachus, Ibis comprises several hundred verses of mythological malediction against the poet’s enemy in Rome. The piece, composed into a brace structure in accordance with the rules of rhetoric, consists of several distinct thematic units. The largest part (more than half of the poem) contains sequences of curses linked only by mental association. Ovid makes ample use of rhetorical devices. As in his earlier works, also in Ibis he plays with words, constructing ever more complex variations. The poem, different as it is ...
The Augustan poet Ovid (43 BC – AD 17/18) is mentioned by Seneca the elder for his oratorical skills...
Later historians, such as Tacitus, Suetonius and Cassius Dio, have dominated interpretations of even...
This study examines the constructions and uses of the figure of Ovid in French writing of the second...
ii The Ibis of Ovid, an enigmatic poem written during the poet's exile at Tomis, contains a ser...
This paper investigates the extended catalogue of curses in Ovid’s Ibis, in particular the catalogue...
The Ars poetica has been read as an important term of comparison for the exile elegies: overall, the...
Ovid's exilic works – Tristia and Ex Ponto – aim at several goals at the same time. The poet seeks, ...
The main purpose of this paper is to present the variable and diverse Ovid’s attitude towards Muses ...
The Ars poetica has been read as an important term of comparison for the exile elegies: overall, the...
The Ibis of Ovid, an enigmatic poem written during the poet's exile at Tomis, contains a series of v...
Previous scholarship has laid out some important groundwork on Ovid\u27s use of Callimachus\u27 Aeti...
This article aims to discuss some of didactic aspects in Ovid’s Tristia and Epistulae ex Ponto and t...
This paper aims to present unpublished poetic translation of the elegy Am. 2. 6 by Ovid – the famous...
This study undertakes a close reading of Ovid’s poem Tristia 2, which was composed in AD 9 when the ...
[192] p.A translation of: Ibis.Translated by Thomas Underdown, whose name appears on A2r.Partly in v...
The Augustan poet Ovid (43 BC – AD 17/18) is mentioned by Seneca the elder for his oratorical skills...
Later historians, such as Tacitus, Suetonius and Cassius Dio, have dominated interpretations of even...
This study examines the constructions and uses of the figure of Ovid in French writing of the second...
ii The Ibis of Ovid, an enigmatic poem written during the poet's exile at Tomis, contains a ser...
This paper investigates the extended catalogue of curses in Ovid’s Ibis, in particular the catalogue...
The Ars poetica has been read as an important term of comparison for the exile elegies: overall, the...
Ovid's exilic works – Tristia and Ex Ponto – aim at several goals at the same time. The poet seeks, ...
The main purpose of this paper is to present the variable and diverse Ovid’s attitude towards Muses ...
The Ars poetica has been read as an important term of comparison for the exile elegies: overall, the...
The Ibis of Ovid, an enigmatic poem written during the poet's exile at Tomis, contains a series of v...
Previous scholarship has laid out some important groundwork on Ovid\u27s use of Callimachus\u27 Aeti...
This article aims to discuss some of didactic aspects in Ovid’s Tristia and Epistulae ex Ponto and t...
This paper aims to present unpublished poetic translation of the elegy Am. 2. 6 by Ovid – the famous...
This study undertakes a close reading of Ovid’s poem Tristia 2, which was composed in AD 9 when the ...
[192] p.A translation of: Ibis.Translated by Thomas Underdown, whose name appears on A2r.Partly in v...
The Augustan poet Ovid (43 BC – AD 17/18) is mentioned by Seneca the elder for his oratorical skills...
Later historians, such as Tacitus, Suetonius and Cassius Dio, have dominated interpretations of even...
This study examines the constructions and uses of the figure of Ovid in French writing of the second...