In my paper, I wish to raise questions pertinent to the changing position of the composer, ethnomusicologist and musical educationalist Zoltán Kodály in the musical and cultural life of the Stalinist and post-Stalinist periods of Hungarian state socialism. Owing to his folkloristic and conservative musical style, and also his identity as “an educator of the people,” Kodály established his status as a fellow traveller of state socialism in the early 1950s. The easiest way in Hungarian composition to satisfy the expectations of the political power, as inspired by Zhdanov’s aesthetics, was to follow the style of Kodály. At the same time, Kodály sustained his reputation as a “genuine” national icon whose music was capable of expressing, even if...
This paper addresses the development of Russian and Soviet music from the 1860’s through Stalin’s te...
The interbellum was a period when the spontaneous popularity of Jewish music was born. Its expansion...
The article discusses the issue of Jewish musicians’ identity by the example of prewar Galician arti...
Zoltán Kodály, Teacher of Composition. Kodály has not reached the age of 25 when in September 1907 d...
This paper examines the personal relationship between the composer, musicologist and educator Zoltán...
This document is organized in three chapters preceded by a general introduction. The multifarious fi...
In my paper, I wish to raise questions pertinent to the changing conceptualization of ‘national musi...
Zoltán Kodály’s principles in music education have had a major international influence across the wo...
At the beginning of the twentieth century, many composers looked towards the music of their own heri...
The occupation of Poland by Germany and the Soviet Union during the Second World War had profoundly ...
Leoš Janáček (1854–1928) was one of those composers whose work was in many respects closely connecte...
Kult jednostki był elementem systemu komunistycznego w okresie stalinizmu. Przejawem tego zjawiska b...
Kodály Zoltán (1882 – 1967) Mađarski je skladatelj, dirigent, etnomuzikolog i pedagog. Njegovo najva...
After the revolution in 1956, the cultural policy in Hungary shifted to allow a new openness toward ...
W dziejach polskiej kultury muzycznej 1 połowy XX wieku szczególne miejsce zajmuje działalność Józef...
This paper addresses the development of Russian and Soviet music from the 1860’s through Stalin’s te...
The interbellum was a period when the spontaneous popularity of Jewish music was born. Its expansion...
The article discusses the issue of Jewish musicians’ identity by the example of prewar Galician arti...
Zoltán Kodály, Teacher of Composition. Kodály has not reached the age of 25 when in September 1907 d...
This paper examines the personal relationship between the composer, musicologist and educator Zoltán...
This document is organized in three chapters preceded by a general introduction. The multifarious fi...
In my paper, I wish to raise questions pertinent to the changing conceptualization of ‘national musi...
Zoltán Kodály’s principles in music education have had a major international influence across the wo...
At the beginning of the twentieth century, many composers looked towards the music of their own heri...
The occupation of Poland by Germany and the Soviet Union during the Second World War had profoundly ...
Leoš Janáček (1854–1928) was one of those composers whose work was in many respects closely connecte...
Kult jednostki był elementem systemu komunistycznego w okresie stalinizmu. Przejawem tego zjawiska b...
Kodály Zoltán (1882 – 1967) Mađarski je skladatelj, dirigent, etnomuzikolog i pedagog. Njegovo najva...
After the revolution in 1956, the cultural policy in Hungary shifted to allow a new openness toward ...
W dziejach polskiej kultury muzycznej 1 połowy XX wieku szczególne miejsce zajmuje działalność Józef...
This paper addresses the development of Russian and Soviet music from the 1860’s through Stalin’s te...
The interbellum was a period when the spontaneous popularity of Jewish music was born. Its expansion...
The article discusses the issue of Jewish musicians’ identity by the example of prewar Galician arti...