The article describes the season 1929/1930 when Maria Strońska became the manager of the Ateneum Theatre. The main purpose of this article is to present Strońska's artistic vision, her programme plans and her concept of theatre for working class, which she created. As the article unfolds, the repertoire of the Ateneum is reconstructed and questions are asked about the difficulties that the manageress encountered while implementing her vision. The article is based on a comparative analysis of the preserved documents, i.e. memories, reviews and the manageress' press statements
The subject matter of the present analysis is Łukasz Czuj’s production titled “The Government Inspe...
The article presents research on documents which were published by Witkacy’s Theatre from 1985 to 20...
Mikhail Zoshchenko’s writings are firmly set in the reality of post-revolutionary Russia. The presen...
This article is devoted to the strategies of creations of masculinity in the novel Bravery (in Polis...
Nowadays theatre activities are becoming inseparable part of education, upbringing and therapy. The...
The article illustrates the proximity of artistic attitudes of Jan Józef Szczepański, a writer, and...
The article is an attempt at characterizing the connections between KOR (the Workers’ Defense Commit...
This paper presents the period of artistic activity of Waldemar Krygier in Nowa Huta. Krygier was a ...
Jerzy Ziomek’s theory of the actor and acting Marek Hendrykowskis article presents Jerzy Ziomeks pio...
In article the author reflects on the demand made last year by theatre managing director and critic ...
The article comprises two parts. The first presents the transformation of artistic practice and the...
In my article I make an assumption that theatre was a crucial part of Lucjan Rydel artistic work. He...
In the interwar period, the school was supported by numerous institutions and societies in its exce...
Although the problem of the receiver of artistic text is not in the centre of interest of Soviet li...
The author shows the consistency of J. J. Szczepańskie views on the essence of art and the artist’s...
The subject matter of the present analysis is Łukasz Czuj’s production titled “The Government Inspe...
The article presents research on documents which were published by Witkacy’s Theatre from 1985 to 20...
Mikhail Zoshchenko’s writings are firmly set in the reality of post-revolutionary Russia. The presen...
This article is devoted to the strategies of creations of masculinity in the novel Bravery (in Polis...
Nowadays theatre activities are becoming inseparable part of education, upbringing and therapy. The...
The article illustrates the proximity of artistic attitudes of Jan Józef Szczepański, a writer, and...
The article is an attempt at characterizing the connections between KOR (the Workers’ Defense Commit...
This paper presents the period of artistic activity of Waldemar Krygier in Nowa Huta. Krygier was a ...
Jerzy Ziomek’s theory of the actor and acting Marek Hendrykowskis article presents Jerzy Ziomeks pio...
In article the author reflects on the demand made last year by theatre managing director and critic ...
The article comprises two parts. The first presents the transformation of artistic practice and the...
In my article I make an assumption that theatre was a crucial part of Lucjan Rydel artistic work. He...
In the interwar period, the school was supported by numerous institutions and societies in its exce...
Although the problem of the receiver of artistic text is not in the centre of interest of Soviet li...
The author shows the consistency of J. J. Szczepańskie views on the essence of art and the artist’s...
The subject matter of the present analysis is Łukasz Czuj’s production titled “The Government Inspe...
The article presents research on documents which were published by Witkacy’s Theatre from 1985 to 20...
Mikhail Zoshchenko’s writings are firmly set in the reality of post-revolutionary Russia. The presen...