International audienceThis collaborative project, a joint venture of the Centre d’Etudes Superieures de la Renaissance in Tours and Haverford College, brings diverse approaches to bear on a sixteenth0century repertory of sung poetry (published by the Parisian printer Nicolas Du Chemin between 1549 and 1568) that shows the changing literary tastes, musical fashions, and above all, the impact of the relatively new medium of printing on musical culture of the day
The digital project which forms the focus of this article is the website www.parisiansoundscapes.org...
Humanities computing is on a roll. Multi-media, hypertext, online discussion groups: what had once b...
Textes issus de la Conférence "Transmission and Transgression in Early Modern England", Aix-en-Prove...
International audienceThis collaborative project, a joint venture of the Centre d’Etudes Superieures...
David Fiala (CESR/Université de Tours) & Rich Freedman (Haverford College) INTERNATIONAL DISSEMINA...
A report on The Digital Du Chemin project, as part of an international set of perspectives on the ne...
A new digital resource for the study of Renaissance music books. It contains facsimiles, modern edit...
[English] The spread of theoretical treatises in Renaissance Europe has hardly been examined. The tr...
In the context of the profound changes that the scientific community is facing within the new episte...
This study examines the ways that printing technology affected the relationship between Renaissance ...
Le répertoire profane imprimé dans la seconde moitié du XVIe siècle et au début du XVIIe siècle est ...
Due to the more widespread dissemination of the printed book in the sixteenth century, the tradition...
I am just back from Tours (France) where a great conference on some speficic aspects of Digital Huma...
Les 29 et 30 octobre 2020, KBR accueillera un colloque international autour des manuscrits médiévaux...
LE STUDIUM Multidisciplinary Journal. This is the final version of the article from Le Studium Multi...
The digital project which forms the focus of this article is the website www.parisiansoundscapes.org...
Humanities computing is on a roll. Multi-media, hypertext, online discussion groups: what had once b...
Textes issus de la Conférence "Transmission and Transgression in Early Modern England", Aix-en-Prove...
International audienceThis collaborative project, a joint venture of the Centre d’Etudes Superieures...
David Fiala (CESR/Université de Tours) & Rich Freedman (Haverford College) INTERNATIONAL DISSEMINA...
A report on The Digital Du Chemin project, as part of an international set of perspectives on the ne...
A new digital resource for the study of Renaissance music books. It contains facsimiles, modern edit...
[English] The spread of theoretical treatises in Renaissance Europe has hardly been examined. The tr...
In the context of the profound changes that the scientific community is facing within the new episte...
This study examines the ways that printing technology affected the relationship between Renaissance ...
Le répertoire profane imprimé dans la seconde moitié du XVIe siècle et au début du XVIIe siècle est ...
Due to the more widespread dissemination of the printed book in the sixteenth century, the tradition...
I am just back from Tours (France) where a great conference on some speficic aspects of Digital Huma...
Les 29 et 30 octobre 2020, KBR accueillera un colloque international autour des manuscrits médiévaux...
LE STUDIUM Multidisciplinary Journal. This is the final version of the article from Le Studium Multi...
The digital project which forms the focus of this article is the website www.parisiansoundscapes.org...
Humanities computing is on a roll. Multi-media, hypertext, online discussion groups: what had once b...
Textes issus de la Conférence "Transmission and Transgression in Early Modern England", Aix-en-Prove...