This document describes 10 dimensions of powerful arts education practice — building blocks for organizations that engage young people in this practice. It also shares examples of the kinds of things you might see and feel at an organization — indicators — that could let you know these dimensions are at play.A working group of arts education leaders illuminated these dimensions and indicators through a collaborative process co-facilitated by Sarah Crowell, an expert practioner, and Lauren Stevenson, a researcher. Stevenson synthesized the group's insights and elaborated emerging dimensions and indicators through interviews with additional arts education leaders and iterative feedback from the working group. Working group members and intervi...
How can we reshape power? This session enables us as Art & Design educators to start practising what...
The Arts Achieve: Impacting Student Success in the Arts project involves a partnership between the N...
This paper documents the process by which I developed “Basic Training”, a wholistic program for the ...
Experiences of the Boys and Girls Clubs of America suggest that large, multidisciplinary youth organ...
Intended to stimulate and deepen national dialogue on the ways artists, educators, program planners ...
This report summarizes the existing literature that explores quality in arts education. Following a ...
The Arts @ Large model is based on a simple mission: consistently advocate for the connection of art...
Experiences of the Boys and Girls Clubs of America suggest that large, multidisciplinary youth organ...
This article shares my process and reflection as a teaching artist on a specific project with the Ch...
An artist residency consists of a visiting artist (dance, musical, theatrical, or visual) creating w...
As we enter the 21st century -- the global information age -- we must ensure our students are equipp...
The report features provocative testimony to youth centered and youth directed arts programs that ar...
This short resource for Arts Award advisers outlines how you can plan a project in collaboration wit...
This presentation describes our partnership with a local nonprofit organization to create an instrum...
Our lives are mediated through the visual which informs, in multiple and conflicting ways, our views...
How can we reshape power? This session enables us as Art & Design educators to start practising what...
The Arts Achieve: Impacting Student Success in the Arts project involves a partnership between the N...
This paper documents the process by which I developed “Basic Training”, a wholistic program for the ...
Experiences of the Boys and Girls Clubs of America suggest that large, multidisciplinary youth organ...
Intended to stimulate and deepen national dialogue on the ways artists, educators, program planners ...
This report summarizes the existing literature that explores quality in arts education. Following a ...
The Arts @ Large model is based on a simple mission: consistently advocate for the connection of art...
Experiences of the Boys and Girls Clubs of America suggest that large, multidisciplinary youth organ...
This article shares my process and reflection as a teaching artist on a specific project with the Ch...
An artist residency consists of a visiting artist (dance, musical, theatrical, or visual) creating w...
As we enter the 21st century -- the global information age -- we must ensure our students are equipp...
The report features provocative testimony to youth centered and youth directed arts programs that ar...
This short resource for Arts Award advisers outlines how you can plan a project in collaboration wit...
This presentation describes our partnership with a local nonprofit organization to create an instrum...
Our lives are mediated through the visual which informs, in multiple and conflicting ways, our views...
How can we reshape power? This session enables us as Art & Design educators to start practising what...
The Arts Achieve: Impacting Student Success in the Arts project involves a partnership between the N...
This paper documents the process by which I developed “Basic Training”, a wholistic program for the ...