Ghosts in the landscape

This paper sets out to explore the relationships between language, landscape, representation, photography and writing. It does so by taking a particular place through which these streams intersect – the vast, million-year-old salt lake known as Lake Ballard in the heart of the Goldfields region of Western Australia. What complicates this landscape and its representation is the fact that this place is also the site of a significant art installation – in 2003, British sculptor Antony Gormely developed his Inside Australia installation at Lake Ballard, as part of the 2003 Perth International Arts Festival. This paper invokes the notion of the ghost from Jacques Derrida as a means of exploring the way Gormely's figures haunt, not so much the landscape itself, but the very discourses that have previously articulated the means of its representation