This article discusses how vocational actor training could be challenged and developed through materially oriented object theatre to address questions of well-being. Institutional actor training and institutional care are linked by means of artistic research experiments on object theatre. The aim is to extend the scope of actor training beyond the humanistic sphere inherent in acting and theatre by means of providing the pedagogy of acting with alternative notions of agency and materiality. It suggests a conceptualisation of well-being which emphasises its existential, relational and artistic quality.Peer reviewe
This study is based on the description and analysis of acting exercises in which actors work with co...
The article aims to present professor’s Ion Cojar method regarding the methodology of approaching th...
This article discusses psychosocial aspects of a short drama module, drawing on observational resear...
This article discusses how vocational actor training could be challenged and developed through mater...
How actors are adequately prepared for their lifetime of work can be a vexed issue. However what is ...
This article aims to explore the required skills and competencies of the actor who works in health-c...
Inspired by Socratic dialogue, the authors have chosen to explore how their experiential understandi...
Artists such as actors and puppeteers in healthcare face emotional challenges in their work. This ar...
This article reads the development of psychologically based actor training against larger changes in...
Artists such as actors and puppeteers in healthcare face emotional challenges in their work. This ar...
The Australian Actors Wellbeing Study (Maxwell, Seton & Szabo 2015) made several recommendations...
© 2017 Dr. Jennifer AndersenResearch has investigated the backgrounds, dispositions and skills of ar...
In this article we take a strength-based approach to understand how Applied Theatre as a vehicle, pr...
This article describes the processes of supporting ‘Full Circle from ARC, Stockton’, a group of nine...
Being an actor / becoming a trainer: the embodied logos of intersubjective experience in a somatic a...
This study is based on the description and analysis of acting exercises in which actors work with co...
The article aims to present professor’s Ion Cojar method regarding the methodology of approaching th...
This article discusses psychosocial aspects of a short drama module, drawing on observational resear...
This article discusses how vocational actor training could be challenged and developed through mater...
How actors are adequately prepared for their lifetime of work can be a vexed issue. However what is ...
This article aims to explore the required skills and competencies of the actor who works in health-c...
Inspired by Socratic dialogue, the authors have chosen to explore how their experiential understandi...
Artists such as actors and puppeteers in healthcare face emotional challenges in their work. This ar...
This article reads the development of psychologically based actor training against larger changes in...
Artists such as actors and puppeteers in healthcare face emotional challenges in their work. This ar...
The Australian Actors Wellbeing Study (Maxwell, Seton & Szabo 2015) made several recommendations...
© 2017 Dr. Jennifer AndersenResearch has investigated the backgrounds, dispositions and skills of ar...
In this article we take a strength-based approach to understand how Applied Theatre as a vehicle, pr...
This article describes the processes of supporting ‘Full Circle from ARC, Stockton’, a group of nine...
Being an actor / becoming a trainer: the embodied logos of intersubjective experience in a somatic a...
This study is based on the description and analysis of acting exercises in which actors work with co...
The article aims to present professor’s Ion Cojar method regarding the methodology of approaching th...
This article discusses psychosocial aspects of a short drama module, drawing on observational resear...