In the early seventeenth century, the trading ventures of the Dutch East India; Company (or V.O.C.) introduced the United Provinces to Chinese export porcelain. The; exotic, luminous blue and white ceramics were so in demand amongst Dutch consumers; that, by 1638, over three million Chinese porcelain objects had been imported to the; Republic. This popularity of imported porcelain ensnared and invigorated the; imaginations of Dutch artists and artisans who began to incorporate and adapt Chinese; exports into their own work. My thesis project, "Material Translations: Chinese Porcelain; in the Dutch Golden Age, A Proposed Exhibition," treats this adaptation as a translation.; I focus on the material transformation of porcelain into paint and ...
This is the published version, made available with the permission of the publisher.This article was ...
We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast...
Elements from Dutch seventeenth-century still-lifes—the trompe-l’oeil motif of the painted curtain, ...
In 1602 various Dutch trading companies united to form a single organisation, the Vereenigde Oostind...
Chinese porcelain is not simply a material product, but a transcultural medium, with a long history ...
This thesis gives a systematic interpretation of the maritime trade and transportation of Chinese ce...
In 1602 various Dutch trading companies united to form a single organisation, the Vereenigde Oostind...
My dissertation examines the interaction between global political-economic transformations and chang...
This dissertation reconsiders the role of foreign commodities—especially Asian porcelain—in the genr...
This thesis frames the cultural development of late Ming China and Colonial Spanish America within t...
This thesis frames the cultural development of late Ming China and Colonial Spanish America within t...
Chinese export paintings in Dutch public collections. A shared cultural visual repertoireThe collect...
The starting point for this study is that for a large part of their existence, the paintings belon...
The collecting of Chinese ceramics had become an increasingly popular activity in late 19th-century ...
This is the published version, made available with the permission of the publisher.This article was ...
This is the published version, made available with the permission of the publisher.This article was ...
We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast...
Elements from Dutch seventeenth-century still-lifes—the trompe-l’oeil motif of the painted curtain, ...
In 1602 various Dutch trading companies united to form a single organisation, the Vereenigde Oostind...
Chinese porcelain is not simply a material product, but a transcultural medium, with a long history ...
This thesis gives a systematic interpretation of the maritime trade and transportation of Chinese ce...
In 1602 various Dutch trading companies united to form a single organisation, the Vereenigde Oostind...
My dissertation examines the interaction between global political-economic transformations and chang...
This dissertation reconsiders the role of foreign commodities—especially Asian porcelain—in the genr...
This thesis frames the cultural development of late Ming China and Colonial Spanish America within t...
This thesis frames the cultural development of late Ming China and Colonial Spanish America within t...
Chinese export paintings in Dutch public collections. A shared cultural visual repertoireThe collect...
The starting point for this study is that for a large part of their existence, the paintings belon...
The collecting of Chinese ceramics had become an increasingly popular activity in late 19th-century ...
This is the published version, made available with the permission of the publisher.This article was ...
This is the published version, made available with the permission of the publisher.This article was ...
We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast...
Elements from Dutch seventeenth-century still-lifes—the trompe-l’oeil motif of the painted curtain, ...