This paper examines the role of women in window display in Britain during the 1920s and 1930s. Window display in 1920s Britain was very much men’s work. Even when women were encouraged by those outside the profession, they were not necessarily encouraged by those within it. In 1923 the daily press and women’s journals devoted space to the debate on window dressing as an ideal and suitable profession for women. However, the editorial of Display, the official organ of the British Association of Display Men, disagreed. Display believed that women were unsuccessful at window dressing, justified by claiming they did not have the natural ability to create artistic ‘open’ displays. Although the article’s author claimed they welcomed women, they be...
This article highlights the transfers and practical uses of the commercial knowledge of window dress...
Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade Sc...
This preliminary study of the critical reaction to the work of women practitioners in the decorative...
This article reassesses the window displays created at Simpson’s, Piccadilly, from April 1936 until ...
My research examines the output of over 150 female artists who contributed to the 'poster movement' ...
This thesis recovers the histories of the women working as professional interior decorators in the l...
This research examines women’s changing gender roles and related changes in female dress in the per...
Between 1880 and 1920 displays in leading department stores reached an unprecedented level of artist...
In the aftermath of the Second World War, the fashion departments of London’s West End department st...
This investigation attempts to identify the role of window display in today's arena of fashion reta...
This thesis explores the way in which interior decorating developed as a practice during the interwa...
The subject of this issue of 19 might raise a series of questions: Who were the women writing about ...
This article investigates the role of commercial women’s magazines in the dissemination of modern de...
This paper draws on and extends the author’s earlier work on the history of the Daily Mail Ideal Hom...
This article explores how dress economy practices, including mending, remaking, and home dressmaking...
This article highlights the transfers and practical uses of the commercial knowledge of window dress...
Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade Sc...
This preliminary study of the critical reaction to the work of women practitioners in the decorative...
This article reassesses the window displays created at Simpson’s, Piccadilly, from April 1936 until ...
My research examines the output of over 150 female artists who contributed to the 'poster movement' ...
This thesis recovers the histories of the women working as professional interior decorators in the l...
This research examines women’s changing gender roles and related changes in female dress in the per...
Between 1880 and 1920 displays in leading department stores reached an unprecedented level of artist...
In the aftermath of the Second World War, the fashion departments of London’s West End department st...
This investigation attempts to identify the role of window display in today's arena of fashion reta...
This thesis explores the way in which interior decorating developed as a practice during the interwa...
The subject of this issue of 19 might raise a series of questions: Who were the women writing about ...
This article investigates the role of commercial women’s magazines in the dissemination of modern de...
This paper draws on and extends the author’s earlier work on the history of the Daily Mail Ideal Hom...
This article explores how dress economy practices, including mending, remaking, and home dressmaking...
This article highlights the transfers and practical uses of the commercial knowledge of window dress...
Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade Sc...
This preliminary study of the critical reaction to the work of women practitioners in the decorative...