In their introductory essay, Maurizio Calbi and Stephen O'Neill explore the interrelations between social media and Shakespeare(s), providing a theoretical consideration of both categories that ultimately moves toward an argument for their rhizomatic intersections. Shakespeare increasingly "becomes" through social media (in a Deleuzian sense), and indeed, forms of social media are rearticulated through Shakespeare. The essay also guides the reader through this special issue in which the contributors variously map, define, scrutinize, and challenge social media, Shakespeare and their uncanny convergence
This essay discusses the theoretical implications of a recent experiment with game-based social medi...
This book offers a timely examination of the relationship between Shakespeare and contemporary digit...
The Introduction to this special issue on Experiencing Shakespeare in Digital Environments illustra...
In their introductory essay, Maurizio Calbi and Stephen O'Neill explore the interrelations between ...
The field of Shakespeare studies is becoming increasingly interested in the circulation of Shakespea...
This essay explores the topic of social media Shakespeare from the perspective of Media Studies, id...
In our present mediascape, performances of Shakespeare on social networks proliferate. Changing Mode...
In Spreadable Media Henry Jenkins, Sam Ford, and Joshua Green provide a revolutionary model of conte...
A collection of recent adaptations of four of Shakespeare’s most famous plays (A Midsummer Night’s D...
This essay discusses resources on Shakespeare available internationally on social and digital media ...
In this essay, I employ Emmanuel Levinas\u27s philosophy to examine intersubjectivity in social medi...
This paper examines the ‘staging’ of Shakespeare’s ‘shrew,’ Katherina, on Facebook. The different in...
The video-sharing platform YouTube signals exciting opportunities and challenges for Shakespeare stu...
Introduction to the issue 'Shakespeare in the Media. Old and New', Anglistica aion, 15.2, 2011, co-e...
In the last five years, the emergence of social media platforms as new technologies to allow two-way...
This essay discusses the theoretical implications of a recent experiment with game-based social medi...
This book offers a timely examination of the relationship between Shakespeare and contemporary digit...
The Introduction to this special issue on Experiencing Shakespeare in Digital Environments illustra...
In their introductory essay, Maurizio Calbi and Stephen O'Neill explore the interrelations between ...
The field of Shakespeare studies is becoming increasingly interested in the circulation of Shakespea...
This essay explores the topic of social media Shakespeare from the perspective of Media Studies, id...
In our present mediascape, performances of Shakespeare on social networks proliferate. Changing Mode...
In Spreadable Media Henry Jenkins, Sam Ford, and Joshua Green provide a revolutionary model of conte...
A collection of recent adaptations of four of Shakespeare’s most famous plays (A Midsummer Night’s D...
This essay discusses resources on Shakespeare available internationally on social and digital media ...
In this essay, I employ Emmanuel Levinas\u27s philosophy to examine intersubjectivity in social medi...
This paper examines the ‘staging’ of Shakespeare’s ‘shrew,’ Katherina, on Facebook. The different in...
The video-sharing platform YouTube signals exciting opportunities and challenges for Shakespeare stu...
Introduction to the issue 'Shakespeare in the Media. Old and New', Anglistica aion, 15.2, 2011, co-e...
In the last five years, the emergence of social media platforms as new technologies to allow two-way...
This essay discusses the theoretical implications of a recent experiment with game-based social medi...
This book offers a timely examination of the relationship between Shakespeare and contemporary digit...
The Introduction to this special issue on Experiencing Shakespeare in Digital Environments illustra...