Add to ORKGA discussion of the relationship between Horace's epodes and the iambic tradition, with an emphasis on creative revision of literary history and the interplay of early and Hellenistic Greek models. Includes references to genre theory and the characterization of iambos in antiquity
The thesis fills a surprising gap in Classical scholarship by providing the first philological and l...
This paper explores the use of archaic iambus in Callimachus’ own Iambi.Qua iambographer the Helleni...
Bibliography: leaves 320-347.This thesis examines a selection of poems from both books of Horace's S...
A discussion of the relationship between Horace's epodes and the iambic tradition, with an emphasis ...
Horace's imitation of archaic and Hellenistic Greek iambos is a refashioning of the genre, based on ...
This article re-examines the presentation and characterisation of Greek iambos and iambic poets in H...
The only complete collection of essays on the entire Iambic tradition of Greece and Rome, edited in ...
This book provides a new literary treatment of an often-overlooked collection of fragmentary poems f...
For over two centuries―starting with the earliest surviving iambic poet and elegist, Archilochus―ele...
A pp. 205-17 il mio articolo "Ego Polivi Versibus Senariis: Phaedrus and Iambic Poetry
In archaic Greece, iambus is not just a poetic genre defined by meter, dialect, diction and other fo...
When in Book 1 of his Epistles Horace reflects back upon the beginning of his career in lyric poetry...
This thesis investigates formal echoes in the Horatian corpus, and seeks to shed new light on connec...
The dissertation concerns a literary form designated as "propempticon" and its typical representativ...
This paper explores Horace’s engagement with Latin love elegy through the motif of magic in Epodes 5...
The thesis fills a surprising gap in Classical scholarship by providing the first philological and l...
This paper explores the use of archaic iambus in Callimachus’ own Iambi.Qua iambographer the Helleni...
Bibliography: leaves 320-347.This thesis examines a selection of poems from both books of Horace's S...
A discussion of the relationship between Horace's epodes and the iambic tradition, with an emphasis ...
Horace's imitation of archaic and Hellenistic Greek iambos is a refashioning of the genre, based on ...
This article re-examines the presentation and characterisation of Greek iambos and iambic poets in H...
The only complete collection of essays on the entire Iambic tradition of Greece and Rome, edited in ...
This book provides a new literary treatment of an often-overlooked collection of fragmentary poems f...
For over two centuries―starting with the earliest surviving iambic poet and elegist, Archilochus―ele...
A pp. 205-17 il mio articolo "Ego Polivi Versibus Senariis: Phaedrus and Iambic Poetry
In archaic Greece, iambus is not just a poetic genre defined by meter, dialect, diction and other fo...
When in Book 1 of his Epistles Horace reflects back upon the beginning of his career in lyric poetry...
This thesis investigates formal echoes in the Horatian corpus, and seeks to shed new light on connec...
The dissertation concerns a literary form designated as "propempticon" and its typical representativ...
This paper explores Horace’s engagement with Latin love elegy through the motif of magic in Epodes 5...
The thesis fills a surprising gap in Classical scholarship by providing the first philological and l...
This paper explores the use of archaic iambus in Callimachus’ own Iambi.Qua iambographer the Helleni...
Bibliography: leaves 320-347.This thesis examines a selection of poems from both books of Horace's S...