Add to ORKGIn this chapter the author discusses the role of censorship in the publication and dissemination of literary texts in early modern Europe, foscussing on the case study of the circulation of Niccolò Machiavelli's Principe in the British Isle
Sir Roger L’Estrange was an author, pamphleteer, journalist, translator and censor, whose activities...
This book therefore analyses both the political and literary issues hanging upon the circulation of ...
This chapter aims to show how, after the first publication of Painter’s Palace of Pleasure in 1566, ...
In this chapter the author discusses the role of censorship in the publication and dissemination of ...
The essay considers the copies of Machiavelli's works published (often surreptitiously) by the Engli...
This chapter offers an overview of the circulation of Machiavelli's Principe in early modern England...
The aim of this book is to analyse the impact of Machiavelli\u2019s Principe in sixteenth-century En...
Published for the first time in 1532, Niccol\uf2 Machiavelli\u2019s Principe immediately triggered m...
Numerous examples of censorship in early modern Europe prove that church and state frequently collab...
Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives brings together a wide rang...
Marginalia create a space; or, they enter a space to which they had been invited by the very layout ...
This essay discusses the early circulation of Niccol\uf2 Machiavelli's Principe in sixteenth-century...
This thesis assesses the role of illicit printing in early modern England, from the publication of t...
‘All Estates and signiories wich haue had and doe beare rule ouer men, haue either byn and are Comon...
Allusions to Machiavelli\u2019s Principe in early Tudor England include two diametrically opposed ev...
Sir Roger L’Estrange was an author, pamphleteer, journalist, translator and censor, whose activities...
This book therefore analyses both the political and literary issues hanging upon the circulation of ...
This chapter aims to show how, after the first publication of Painter’s Palace of Pleasure in 1566, ...
In this chapter the author discusses the role of censorship in the publication and dissemination of ...
The essay considers the copies of Machiavelli's works published (often surreptitiously) by the Engli...
This chapter offers an overview of the circulation of Machiavelli's Principe in early modern England...
The aim of this book is to analyse the impact of Machiavelli\u2019s Principe in sixteenth-century En...
Published for the first time in 1532, Niccol\uf2 Machiavelli\u2019s Principe immediately triggered m...
Numerous examples of censorship in early modern Europe prove that church and state frequently collab...
Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives brings together a wide rang...
Marginalia create a space; or, they enter a space to which they had been invited by the very layout ...
This essay discusses the early circulation of Niccol\uf2 Machiavelli's Principe in sixteenth-century...
This thesis assesses the role of illicit printing in early modern England, from the publication of t...
‘All Estates and signiories wich haue had and doe beare rule ouer men, haue either byn and are Comon...
Allusions to Machiavelli\u2019s Principe in early Tudor England include two diametrically opposed ev...
Sir Roger L’Estrange was an author, pamphleteer, journalist, translator and censor, whose activities...
This book therefore analyses both the political and literary issues hanging upon the circulation of ...
This chapter aims to show how, after the first publication of Painter’s Palace of Pleasure in 1566, ...