From the literature on art experience, we know that art experts and non-art experts have different cognitive information processes when encountering an artwork, but we don’t know how this difference might influence the art experience. The purpose of this article is to test how expertise affects art experiences. Expertise is measured on several dimensions, one of them being the level of knowledge on the specific artwork, which is a new contribution to the literature. Our case is the Sistine Chapel at the Vatican Museum in Italy where the investigations took place in a real museum context
195 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1985.Expert and novice differences...
The purpose of this study was to demonstrate differences in cognitive structure between novices and ...
Across cultures and throughout recorded history, humans have produced visual art. This raises the qu...
From the literature on art experience, we know that art experts and non-art experts have different ...
Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this q...
Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qu...
When viewing a painting, artists perceive more information from the painting on the basis of their e...
Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qua...
<p>Across cultures and throughout recorded history, humans have produced visual art. This raises the...
Across cultures and throughout recorded history, humans have produced visual art. This raises the qu...
When viewing a painting, artists perceive more information from the painting on the basis of their e...
Can knowledge help viewers when they appreciate an artwork? Experts ’ judgments of the aesthetic val...
Lacunae are the voids left by missing or damaged pieces of artwork, and their presence constitutes a...
Aesthetic perception may broadly be defined as the detection of and response to that which is consid...
<div><p>Can knowledge help viewers when they appreciate an artwork? Experts’ judgments of the aesthe...
195 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1985.Expert and novice differences...
The purpose of this study was to demonstrate differences in cognitive structure between novices and ...
Across cultures and throughout recorded history, humans have produced visual art. This raises the qu...
From the literature on art experience, we know that art experts and non-art experts have different ...
Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this q...
Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qu...
When viewing a painting, artists perceive more information from the painting on the basis of their e...
Since Bourdieu, it has been argued that art appreciation requires “knowledge”. The focus of this qua...
<p>Across cultures and throughout recorded history, humans have produced visual art. This raises the...
Across cultures and throughout recorded history, humans have produced visual art. This raises the qu...
When viewing a painting, artists perceive more information from the painting on the basis of their e...
Can knowledge help viewers when they appreciate an artwork? Experts ’ judgments of the aesthetic val...
Lacunae are the voids left by missing or damaged pieces of artwork, and their presence constitutes a...
Aesthetic perception may broadly be defined as the detection of and response to that which is consid...
<div><p>Can knowledge help viewers when they appreciate an artwork? Experts’ judgments of the aesthe...
195 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1985.Expert and novice differences...
The purpose of this study was to demonstrate differences in cognitive structure between novices and ...
Across cultures and throughout recorded history, humans have produced visual art. This raises the qu...