A paraîtreNational audienceThe printed works of the playwright and poet William Shakespeare (1564-1616) began to be sold and circulated from 1594 onwards, initially in quarto format, then in folio, octavo, and in a multitude of volumes during the 18th century. We can therefore legitimately ask ourselves how this first literary public reacted to these printed works by sketching out what could be called an archaeology of its tastes.Les oeuvres imprimées du dramaturge et poète William Shakespeare (1564-1616) commencèrent à être vendues et à circuler à partir de 1594, en format in-quarto au début, puis in-folio, in-octavo, et en une multitude de volumes au XVIIIe siècle. On peut donc se demander légitimement comment ce premier public littéraire...
International audienceThis study aims to define - from a large corpus of digitized paratexts belongi...
Padilla Nathalie. Le corps masculin sublime dans les dessins d'Henry Füssli (1741-1825) d'après les ...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
International audienceLes goûts littéraires des premiers lecteurs de Shakespeare au travers de leurs...
International audienceShakespeare’s early modern readers—those who annotated his first printed works...
International audienceWho were Shakespeare's first readers and what did they think of his works? Off...
textIn its introduction and four chapters, this project demonstrates that Shakespeare responded to—a...
International audienceBy way of introduction, this paper considers the question of women’s literacy ...
This research studies the diffusion and the reception of printed theater in the 17th century in Ital...
In early modern England, readers almost always encountered plays in copies that sold for around six ...
International audienceSince the discovery of a Shakespeare First Folio in Saint-Omer (in northern Fr...
Asseses "the scope of Shakespeare's bibliographic presence" from 1594 to 1660 by comparing the numbe...
Anthologizing Shakespeare, 1593–1603 is a reading of Shakespeare’s first decade in print, from Venus...
Did Shakespeare write solely for the stage ? Did he also have an audience of readers in mind ? The d...
Early-modern interest in translation as a transformational, fusional practice coalesced with the per...
International audienceThis study aims to define - from a large corpus of digitized paratexts belongi...
Padilla Nathalie. Le corps masculin sublime dans les dessins d'Henry Füssli (1741-1825) d'après les ...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...
International audienceLes goûts littéraires des premiers lecteurs de Shakespeare au travers de leurs...
International audienceShakespeare’s early modern readers—those who annotated his first printed works...
International audienceWho were Shakespeare's first readers and what did they think of his works? Off...
textIn its introduction and four chapters, this project demonstrates that Shakespeare responded to—a...
International audienceBy way of introduction, this paper considers the question of women’s literacy ...
This research studies the diffusion and the reception of printed theater in the 17th century in Ital...
In early modern England, readers almost always encountered plays in copies that sold for around six ...
International audienceSince the discovery of a Shakespeare First Folio in Saint-Omer (in northern Fr...
Asseses "the scope of Shakespeare's bibliographic presence" from 1594 to 1660 by comparing the numbe...
Anthologizing Shakespeare, 1593–1603 is a reading of Shakespeare’s first decade in print, from Venus...
Did Shakespeare write solely for the stage ? Did he also have an audience of readers in mind ? The d...
Early-modern interest in translation as a transformational, fusional practice coalesced with the per...
International audienceThis study aims to define - from a large corpus of digitized paratexts belongi...
Padilla Nathalie. Le corps masculin sublime dans les dessins d'Henry Füssli (1741-1825) d'après les ...
While Shakespeare may have written solely for the stage, his text has been configured and transforme...