Konstruktivna tenzija u glumačkoj igri

Kako definirati spektar konstruktivne tenzije pri glumačkom djelovanju? Postoji li parametar kojim određenu razinu tenzije možemo definirati nedostatnom za sudjelovati u glumačkom zadatku, ili suprotno, prekomjernom pri istom? Nadalje, koja su sredstva na raspolaganju glumici ili glumcu kako bi manipulirali tenzijom koju, unutar sebe, generiraju? Konačno, koji su mogući uzroci neuspješnosti slobodnog manipuliranja tenzije unutar glumačke osobe? Kroz uvid u strukovnu literaturu te osvrtanje na iskustvo učenja glume kroz naobrazbu i praksu, ovaj će rad ponuditi perspektivu promišljanja problematike sadržane u gore navedenim pitanjima.How does one define the spectrum of tension which is constructive for the actor’s craft? Is there a parameter by which a particular level of tension could be defined as insufficient, or else excessive, in order to participate in the act of acting? Furthermore, which tools are at hand to an actress or an actor for them to manipulate tension which they generate within themselves? Finally, which are the possible causes of unsuccessful manipulation of tension within an actor’s persona? By consulting craft-specific literature and reflecting on the experience of learning to act through education and practice, this paper will offer a perspective to deliberate on the problematics which are content of the questions stated above