Centro di Sonologia Computazionale (CSC) scientific research was the premise for subsequent activities of musical informatics, and is still one of the main activities of the Centre. Today CSC activities rely on a composite group of people, which include the Center board of directors and personnel, guest researchers and musicians, and particularly on master students attending the course "Sound and Music Computing" at Dept. of Information Engineering (DEI), which is historically tightly linked to the CSC. The dissemination of scientific results as well as the relationship between art and science is hard and surely not trivial. With this aim, this paper describes an exhibition that illustrated the history of CSC, from the scientific, technolog...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
"Sound and Music Computing: Challenges and Strategies" Xavier Serra1, Roberto Bresin2 and Antonio Ca...
International audienceThis contribution traces the history of musicology in order to set its object....
With the advent of digital technologies, the computer has become a generalized tool for music produc...
In the realm of electronic music institutes, CSC’s activity goes back to digital prehistory and mark...
Research in computer music at the University of Padua, Italy, began in the early 1970s and was forma...
How a team of musicians, engineers, computer scientists, and psychologists developed computer music ...
This dissertation reviews representative works of the history of electronic and computer music from ...
Two large sound installations, developed by transdisciplinary sound art and research group Urban Sou...
By investigating the conceptual field of sound, tone, pitch, and timbre in its relation to visual p...
This article traces sound as it echoes through approaches to displaying the Science Museum’s acousti...
Musicology and computer science do not only come together in areas such as the use, analysis and per...
Traditionally, the curator has been affiliated to the modern museum as the persona who manages an ar...
Visual fine art and music are typically considered to be separate disciplines and separate art forms...
Based on the conference held in Kaunas, Lithuania, 2011, Music and Technologies aims to augment disc...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
"Sound and Music Computing: Challenges and Strategies" Xavier Serra1, Roberto Bresin2 and Antonio Ca...
International audienceThis contribution traces the history of musicology in order to set its object....
With the advent of digital technologies, the computer has become a generalized tool for music produc...
In the realm of electronic music institutes, CSC’s activity goes back to digital prehistory and mark...
Research in computer music at the University of Padua, Italy, began in the early 1970s and was forma...
How a team of musicians, engineers, computer scientists, and psychologists developed computer music ...
This dissertation reviews representative works of the history of electronic and computer music from ...
Two large sound installations, developed by transdisciplinary sound art and research group Urban Sou...
By investigating the conceptual field of sound, tone, pitch, and timbre in its relation to visual p...
This article traces sound as it echoes through approaches to displaying the Science Museum’s acousti...
Musicology and computer science do not only come together in areas such as the use, analysis and per...
Traditionally, the curator has been affiliated to the modern museum as the persona who manages an ar...
Visual fine art and music are typically considered to be separate disciplines and separate art forms...
Based on the conference held in Kaunas, Lithuania, 2011, Music and Technologies aims to augment disc...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
"Sound and Music Computing: Challenges and Strategies" Xavier Serra1, Roberto Bresin2 and Antonio Ca...
International audienceThis contribution traces the history of musicology in order to set its object....