This research is concerned with the cognition of major and minor triads in low- and high-frequency regions. Its specific aim is to determine the limitations on the frequency range within which musicians can recognize minor and major triads. Twelve subjects were tested in a task in which the stimuli were successions of minor and major triads centered on frequencies ranging from 39 to 8372 Hz. Subjects were asked to say, for each triad, if it had or did not have the characteristics of a minor or a major chord. Minor and major chords were presented in separate blocks. Results show that subjects failed to recognize minor and major triads when placed below approximately 120 Hz and above approximately 3000 Hz. Statistical analysis of results also...
Room modes are acoustic resonances proportional to the size of the space where they occur. Room mode...
This study examines whether the consonance and pleasantness of triads (major, minor, augmented, and ...
Musicians are better than non-musicians at discriminating changes in the fundamental frequency (F0) ...
This research is concerned with the cognition of major and minor triads in low- and high-frequency r...
Historically, music theorists have claimed that the major triad functions as a strong instantiator o...
Just-noticeable differences (jnd's) in the center frequency of bandlimited harmonic complexes were m...
AbstractThe present study addressed the effects of musicianship on neural and behavioral discriminat...
Tones and sonorities that occur more often in a passage of music are more likely to be perceived as ...
Parncutt (1993) estimated the salience of the 12 chroma in chords of octave-complex tones (OCTs, She...
This study examines subjects’ ability to recognize the pitches of two missing fundamentals in two si...
Musical emotions have become a facet in music perception that is ubiquitously understood, yet diffic...
Many hearing-impaired college students have interests in music, and some of them listen to music eve...
& At the level of the auditory cortex, musicians discriminate pitch changes more accurately than...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
[出版社版]An experiment has been conducted to investigate the characteristics of human perception of com...
Room modes are acoustic resonances proportional to the size of the space where they occur. Room mode...
This study examines whether the consonance and pleasantness of triads (major, minor, augmented, and ...
Musicians are better than non-musicians at discriminating changes in the fundamental frequency (F0) ...
This research is concerned with the cognition of major and minor triads in low- and high-frequency r...
Historically, music theorists have claimed that the major triad functions as a strong instantiator o...
Just-noticeable differences (jnd's) in the center frequency of bandlimited harmonic complexes were m...
AbstractThe present study addressed the effects of musicianship on neural and behavioral discriminat...
Tones and sonorities that occur more often in a passage of music are more likely to be perceived as ...
Parncutt (1993) estimated the salience of the 12 chroma in chords of octave-complex tones (OCTs, She...
This study examines subjects’ ability to recognize the pitches of two missing fundamentals in two si...
Musical emotions have become a facet in music perception that is ubiquitously understood, yet diffic...
Many hearing-impaired college students have interests in music, and some of them listen to music eve...
& At the level of the auditory cortex, musicians discriminate pitch changes more accurately than...
This PhD study investigates how our perception of musical chords, both in isolation and in musical c...
[出版社版]An experiment has been conducted to investigate the characteristics of human perception of com...
Room modes are acoustic resonances proportional to the size of the space where they occur. Room mode...
This study examines whether the consonance and pleasantness of triads (major, minor, augmented, and ...
Musicians are better than non-musicians at discriminating changes in the fundamental frequency (F0) ...