Many writers started their professional lives in very diverse fields before embracing writing, or on the contrary have turned away from writing. The present volume seeks to explore the complex relationship between that ‘other life’ and writing. The aim is to determine whether a writer’s ‘other life’ appears in, influences or even shapes his/her work, and to what extent. What is the part of gestation and that of rupture? A diversity of writers is examined: Patrick Chamoiseau, J. M. Coetzee, Jan J. Dominique, Janet Frame, Amitav Ghosh, L. K. Johnson, Wilson Harris, Dany Laferrière, Yannick Lahens, NourbeSe Philip, Emmelie Prophète, Arundhati Roy, Edward Said, but also Bartolomé de las Casas and E. L. Grant Watson. Unpublished autobiographical...
In this collection, Tim Parks depicts the dynamic relationships between authors, their work, and the...
In our age, self-publishing, self-broadcasting, and telling stories about our own lives and the live...
Contemporary critical practice is becoming increasingly self-reflective, with first person commentar...
International audienceMany writers started their professional lives in very diverse fields before em...
How is a writer’s life to be embodied in writing? How to tell one’s own life story? How to challenge...
JM Coetzee has remarked that all autobiography is story-telling and also that all writing is a kind ...
“‘My style will become itself a part of my story’: A Study of Generic Innovations in the Life-Writin...
This thesis explores the effect produced when contemporary novelists write about fellow authors. Sin...
For the creative writing portion of this thesis, I wrote a series of nonfiction pieces in the first ...
Two hundred years ago life writing was already highly popular in the form of autobiography, memoir, ...
Nothing is more our own than our biography. Even the body, in which we spend our whole life, from bi...
The articles brought together in this special issue of Ravenshaw Journal of Literature and Culture o...
This collection demonstrates the vast scope of contemporary life writing studies, ranging from estab...
My paper draws on my experience as writer, academic, and director of the Centre for Life Narratives ...
This paper is based on my experience of life (hi)story work with Aboriginal women. It will focus mai...
In this collection, Tim Parks depicts the dynamic relationships between authors, their work, and the...
In our age, self-publishing, self-broadcasting, and telling stories about our own lives and the live...
Contemporary critical practice is becoming increasingly self-reflective, with first person commentar...
International audienceMany writers started their professional lives in very diverse fields before em...
How is a writer’s life to be embodied in writing? How to tell one’s own life story? How to challenge...
JM Coetzee has remarked that all autobiography is story-telling and also that all writing is a kind ...
“‘My style will become itself a part of my story’: A Study of Generic Innovations in the Life-Writin...
This thesis explores the effect produced when contemporary novelists write about fellow authors. Sin...
For the creative writing portion of this thesis, I wrote a series of nonfiction pieces in the first ...
Two hundred years ago life writing was already highly popular in the form of autobiography, memoir, ...
Nothing is more our own than our biography. Even the body, in which we spend our whole life, from bi...
The articles brought together in this special issue of Ravenshaw Journal of Literature and Culture o...
This collection demonstrates the vast scope of contemporary life writing studies, ranging from estab...
My paper draws on my experience as writer, academic, and director of the Centre for Life Narratives ...
This paper is based on my experience of life (hi)story work with Aboriginal women. It will focus mai...
In this collection, Tim Parks depicts the dynamic relationships between authors, their work, and the...
In our age, self-publishing, self-broadcasting, and telling stories about our own lives and the live...
Contemporary critical practice is becoming increasingly self-reflective, with first person commentar...