Harry Shaw’s aim is to promote a fuller understanding of nineteenth-century historical fiction by revealing its formal possibilities and limitations. His wide-ranging book establishes a typology of the ways in which history was used in prose fiction during the nineteenth century, examining major works by Sir Walter Scott—the first modern historical novelist—and by Balzac, Hugo, Anatole France, Eliot, Thackeray, Dickens, and Tolstoy
The chronic preoccupation with historical subjects, trends, purpose, and meaning that marks and fund...
The historical novel is a major presence in the contemporary literary landscape. Why should this gen...
The dissertation focuses on the contemporary British fiction discussing books that in a certain way ...
Harry Shaw’s aim is to promote a fuller understanding of nineteenth-century historical fiction by re...
Between the dawn of the nineteenth century and its close, Britain went from a predominantly rural na...
Descendants of Waverley examines contemporary novelists\u27 combination of historical authority and ...
This article illustrates the analysis of Walter Scott’s historical novels. The aim of this work is t...
The Victorian period is often regarded as a high point in literary history, generating a wealth of m...
The historical novel has been shaped by and was actively involved in the construction of dominant cu...
This article focuses on Walter Scott’s Waverley and its classification as the founding text of the h...
A survey of the historical novels of Thackeray, Dickens, Kingsley, George Eliot, Meredith and Pater...
The article discusses the special genre of "history" in the English literature of the 19th century, ...
From 1890 to 1920, the British aristocracy faded in historical importance. The culture of that perio...
In the half century before Walter Scott\u27s Waverley, dozens of popular novelists produced historic...
Georg Lukács’ The Historical Novel continues to have a wide influence in Walter Scott criticism. Ho...
The chronic preoccupation with historical subjects, trends, purpose, and meaning that marks and fund...
The historical novel is a major presence in the contemporary literary landscape. Why should this gen...
The dissertation focuses on the contemporary British fiction discussing books that in a certain way ...
Harry Shaw’s aim is to promote a fuller understanding of nineteenth-century historical fiction by re...
Between the dawn of the nineteenth century and its close, Britain went from a predominantly rural na...
Descendants of Waverley examines contemporary novelists\u27 combination of historical authority and ...
This article illustrates the analysis of Walter Scott’s historical novels. The aim of this work is t...
The Victorian period is often regarded as a high point in literary history, generating a wealth of m...
The historical novel has been shaped by and was actively involved in the construction of dominant cu...
This article focuses on Walter Scott’s Waverley and its classification as the founding text of the h...
A survey of the historical novels of Thackeray, Dickens, Kingsley, George Eliot, Meredith and Pater...
The article discusses the special genre of "history" in the English literature of the 19th century, ...
From 1890 to 1920, the British aristocracy faded in historical importance. The culture of that perio...
In the half century before Walter Scott\u27s Waverley, dozens of popular novelists produced historic...
Georg Lukács’ The Historical Novel continues to have a wide influence in Walter Scott criticism. Ho...
The chronic preoccupation with historical subjects, trends, purpose, and meaning that marks and fund...
The historical novel is a major presence in the contemporary literary landscape. Why should this gen...
The dissertation focuses on the contemporary British fiction discussing books that in a certain way ...