This paper addresses the parallels between Shakespeare’s Hamlet and Dostoevsky’s Stavrogin considering the representation of their paradoxical subjectivities. The starting point is that Dostoevsky incorporated his understanding of Hamlet in creating the protagonist of Demons. I approach the comparison of Hamlet’s and Stavrogin’s subjectivities in the scope of the tradition of continental philosophy and focus on the characters’ quest for meaning, both in terms of themselves and the world. Their characters reveal the dynamic of the same problem – that the unified, coherent self is an illusion and a myth, that modern subjectivity is paradoxical, radically split, and alienated from itself. Even though these heroes belong to different genres, pe...
In Russian literature the reception of Hamlet as a literary character and of Shakespeare as stage di...
Dostoevsky’s Demons is arguably his most difficult novel to transpose to the cinema. Yet, in the las...
This study critically analyses the character of Hamlet using two differing interpretations of the pl...
This is the first of a pair of articles that consider the relationship between Dostoevsky’s novella ...
This is the second of a pair of articles addressing the relationship between Dostoevsky’s novella No...
In Russian literature the reception of Hamlet as a literary character and of Shakespeare as a stage ...
This project is an exploration of ideology in Dostoevsky\u27s 1871 novel Demons. In this work, Dos...
In a comprehensive study of Hamlet and its reception, this dissertation offers a concept and interpr...
This paper provides an in-depth analysis of the rewriting of King Lear, the Shakespearean classic, ...
This paper proposes a new interpretation of Niyevsky’s novel The Devils. This reading opposes the ve...
This paper proposes a new interpretation of Niyevsky’s novel The Devils. This reading opposes the ve...
Shakespeare wrote Hamlet at the very beginning of the seventeenth century, at the height of his crea...
This paper will address the problem of Stavrogin’s ambivalence and Walter Benjamin’s interpretation ...
When Bloom (1998) claims that Shakespeare invented our sense of personality, he appears to be chiefl...
Surprisingly, although virtually no one doubts Dostoevsky’s profound and direct indebtedness to Cerv...
In Russian literature the reception of Hamlet as a literary character and of Shakespeare as stage di...
Dostoevsky’s Demons is arguably his most difficult novel to transpose to the cinema. Yet, in the las...
This study critically analyses the character of Hamlet using two differing interpretations of the pl...
This is the first of a pair of articles that consider the relationship between Dostoevsky’s novella ...
This is the second of a pair of articles addressing the relationship between Dostoevsky’s novella No...
In Russian literature the reception of Hamlet as a literary character and of Shakespeare as a stage ...
This project is an exploration of ideology in Dostoevsky\u27s 1871 novel Demons. In this work, Dos...
In a comprehensive study of Hamlet and its reception, this dissertation offers a concept and interpr...
This paper provides an in-depth analysis of the rewriting of King Lear, the Shakespearean classic, ...
This paper proposes a new interpretation of Niyevsky’s novel The Devils. This reading opposes the ve...
This paper proposes a new interpretation of Niyevsky’s novel The Devils. This reading opposes the ve...
Shakespeare wrote Hamlet at the very beginning of the seventeenth century, at the height of his crea...
This paper will address the problem of Stavrogin’s ambivalence and Walter Benjamin’s interpretation ...
When Bloom (1998) claims that Shakespeare invented our sense of personality, he appears to be chiefl...
Surprisingly, although virtually no one doubts Dostoevsky’s profound and direct indebtedness to Cerv...
In Russian literature the reception of Hamlet as a literary character and of Shakespeare as stage di...
Dostoevsky’s Demons is arguably his most difficult novel to transpose to the cinema. Yet, in the las...
This study critically analyses the character of Hamlet using two differing interpretations of the pl...