Book review of We Haven’t Seen Each Other For So Long: Art of the Lost Generation. The Böhme Collection by Heinz R. Böhme. Hirmer Verlag, Munich, 2020. 271 p. col. ill. ISBN 9783777433899 (h/c), $45.00. Reviewed September 2021 by Philip Dombowsky, Archivist, National Gallery of Canada, pdombowsky@gallery.ca
Book review of The Art of Winhold Reiss: An Immigrant Modernist edited by Marilyn Satin Kushner. D. ...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...
Review of Jacqueline de Jong: The Ultimate Kiss by Devrim Bayar et al. Yale University Press, July 2...
Book review of Modern Art & the Remaking of Human Disposition by Emmelyn Butterfield-Rosen. Universi...
This is a review of August Macke and Franz Marc: An Artist Friendship. Edited by Volker Adolphs of t...
The recent documenta 14 (2017) addressed the question of art theft and war spoliations, taking as it...
In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art il...
The return of cultural treasures stolen by the National Socialists is the subject of a burgeoning ...
Book review of The House of Fragile Things: Jewish Art Collectors and the Fall of France by James K....
This is a review of the catalogue that accompanies the exhibition "Franz Marc and August Macke: 1910...
Review of Chinese Art Since 1970: The M+ Sigg Collection edited by Pi Li. Thames & Hudson Inc, Janua...
Review of Nonconformers: A New History of Self-Taught Artists by Lisa Slominski. Yale University Pre...
Book review of An Incomplete Archive of Activist Art: The Shelley & Donald Rubin Foundation edited b...
The first image in Mignon Nixon’s new study of Louise Bourgeois is a photograph of the artist taken ...
Book review of How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to th...
Book review of The Art of Winhold Reiss: An Immigrant Modernist edited by Marilyn Satin Kushner. D. ...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...
Review of Jacqueline de Jong: The Ultimate Kiss by Devrim Bayar et al. Yale University Press, July 2...
Book review of Modern Art & the Remaking of Human Disposition by Emmelyn Butterfield-Rosen. Universi...
This is a review of August Macke and Franz Marc: An Artist Friendship. Edited by Volker Adolphs of t...
The recent documenta 14 (2017) addressed the question of art theft and war spoliations, taking as it...
In Re-collection, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art il...
The return of cultural treasures stolen by the National Socialists is the subject of a burgeoning ...
Book review of The House of Fragile Things: Jewish Art Collectors and the Fall of France by James K....
This is a review of the catalogue that accompanies the exhibition "Franz Marc and August Macke: 1910...
Review of Chinese Art Since 1970: The M+ Sigg Collection edited by Pi Li. Thames & Hudson Inc, Janua...
Review of Nonconformers: A New History of Self-Taught Artists by Lisa Slominski. Yale University Pre...
Book review of An Incomplete Archive of Activist Art: The Shelley & Donald Rubin Foundation edited b...
The first image in Mignon Nixon’s new study of Louise Bourgeois is a photograph of the artist taken ...
Book review of How Photography Became Contemporary Art: Inside an Artistic Revolution from Pop to th...
Book review of The Art of Winhold Reiss: An Immigrant Modernist edited by Marilyn Satin Kushner. D. ...
Reports upon the exhibition entitled 'Location! Location! Location!'on show at Mississauga, Canada (...
Review of Jacqueline de Jong: The Ultimate Kiss by Devrim Bayar et al. Yale University Press, July 2...