The sensuousness of perception leads us to recognize the role of the senses in aesthetic experience. Aesthetics has traditionally admitted the sensuous through sight and hearing but has excluded the contact senses of taste, smell, and especially touch. These contact senses challenge the place in traditional aesthetics of distance and disinterestedness by overcoming their depersonalizing effect and introducing the sensual through direct physical involvement. These senses, however, do enter into the arts and thus are aesthetically important. The distinction that traditional theory maintains between the sensuous experience of the distant senses and the sensual appeal of the contact senses is untenable. With the aesthetic relevance of sens...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
In this paper I propose that only part of our experience of events, and products in particular, shou...
Modern aesthetics regards sight and hearing as the only senses which were able to produce art. Touch...
Aesthetics is fundamentally a theory of sensible experience. Its scope has expanded greatly from cen...
Aesthetics is fundamentally a theory of sensible experience. Its scope has expanded greatly from cen...
Modern aesthetics regard sight and hearing as the only senses capable of producing knowledge and art...
The past few decades have seen a rapid rise in the popularity of studies addressing the cognitive an...
The past few decades have seen a rapid rise in the popularity of studies addressing the cognitive an...
Can an understanding be formed of how sensory experience might be presented or manipulated in visual...
Can an understanding be formed of how sensory experience might be presented or manipulated in visual...
This is the final version. Available on open access from Oxford University Press via the DOI in this...
Some confusion arises regarding the philosophical discipline of aesthetics beginning from the origin...
Mikel Dufrenne, French phenomenologist philosopher, has elaborated a systematic description of the a...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
In this paper I propose that only part of our experience of events, and products in particular, shou...
Modern aesthetics regards sight and hearing as the only senses which were able to produce art. Touch...
Aesthetics is fundamentally a theory of sensible experience. Its scope has expanded greatly from cen...
Aesthetics is fundamentally a theory of sensible experience. Its scope has expanded greatly from cen...
Modern aesthetics regard sight and hearing as the only senses capable of producing knowledge and art...
The past few decades have seen a rapid rise in the popularity of studies addressing the cognitive an...
The past few decades have seen a rapid rise in the popularity of studies addressing the cognitive an...
Can an understanding be formed of how sensory experience might be presented or manipulated in visual...
Can an understanding be formed of how sensory experience might be presented or manipulated in visual...
This is the final version. Available on open access from Oxford University Press via the DOI in this...
Some confusion arises regarding the philosophical discipline of aesthetics beginning from the origin...
Mikel Dufrenne, French phenomenologist philosopher, has elaborated a systematic description of the a...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
Aesthetic perception is one of the most interesting topics for philosophers and scientists who inves...
In this paper I propose that only part of our experience of events, and products in particular, shou...