This chapter examines the rhetorical skills displayed by secondary (low–status) characters in the extant tragedies of Aeschylus, Sophocles, and Euripides. “Rhetorical skills” are here broadly understood as the abilities required to have one’s voice heard and one’s opinion taken into account. These speaking abilities contribute to the socio–political characterization of tragic figures on stage and can foster the process of identification between (part of ) the audience and the fictional characters. Rhetorical abilities, however basic, were indeed a key to active political participation for Athenian citizens. As democracy evolved quickly during the fifth century, non–élite citizens began to assume an increasingly important role in political d...
The paper discusses the main elements of persuasion in Aeschines oratory. A particular aspect of the...
By analysing how the audience interpreted the many voices of tragic performance, this chapter sugges...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy’s subject ma...
This study aims to reassess the relationship between Classical Tragedy and Rhetoric, by arguing that...
This study aims (1) to document and classify the materials and techniques of persuasive speech in E...
This thesis discusses the off-stage assemblies, populations, armies and other groups found in extant...
Naming and evaluating individuals are two of the numerous well-established methods by which Thucydid...
In this chapter I draw out three aspects of Euripides’ ‘human voice’ which offer good evidence to su...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy's subject ma...
This dissertation investigates rhetoric and prudence in Sophocles through close readings of Antigone...
This thesis discusses the depiction of rulers in Aeschylus, Sophocles, and Euripides. It aims to dem...
An oratorical performance in Greek and Roman antiquity was much more than a vehicle for legal argume...
This paper re-examines the question of the presence of distinct sociolects in Classical Athenian tra...
The overall purpose of this study is to position Herodotus firmly in the rhetorical life of the late...
This chapter demonstrates the impact of rhetorical training in shaping the Elizabethan theater at th...
The paper discusses the main elements of persuasion in Aeschines oratory. A particular aspect of the...
By analysing how the audience interpreted the many voices of tragic performance, this chapter sugges...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy’s subject ma...
This study aims to reassess the relationship between Classical Tragedy and Rhetoric, by arguing that...
This study aims (1) to document and classify the materials and techniques of persuasive speech in E...
This thesis discusses the off-stage assemblies, populations, armies and other groups found in extant...
Naming and evaluating individuals are two of the numerous well-established methods by which Thucydid...
In this chapter I draw out three aspects of Euripides’ ‘human voice’ which offer good evidence to su...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy's subject ma...
This dissertation investigates rhetoric and prudence in Sophocles through close readings of Antigone...
This thesis discusses the depiction of rulers in Aeschylus, Sophocles, and Euripides. It aims to dem...
An oratorical performance in Greek and Roman antiquity was much more than a vehicle for legal argume...
This paper re-examines the question of the presence of distinct sociolects in Classical Athenian tra...
The overall purpose of this study is to position Herodotus firmly in the rhetorical life of the late...
This chapter demonstrates the impact of rhetorical training in shaping the Elizabethan theater at th...
The paper discusses the main elements of persuasion in Aeschines oratory. A particular aspect of the...
By analysing how the audience interpreted the many voices of tragic performance, this chapter sugges...
This chapter reassesses how tragedy is political: rather than focussing only on tragedy’s subject ma...