This paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s
This thesis details and analyzes the history of the Comics Code of 1954 and its impact on American c...
This thesis examines horror films through an application of cultural analysis (primarily the work of...
Wilson has been researching into Grand-Guignol horror performance, in collaboration with Richard Han...
This paper examines the transformation of George Orwell's novel Nineteen Eighty-Four (1949) from a c...
This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives...
Printing Terror places horror comics of the Cold War in dialogue with the historical trauma of World...
Following the second World War, America’s war against the Axis powers came to a close both on battle...
This paper analyses how the theme of hate depicted in Orwell’s dystopian novel Nineteen Eighty-Four ...
This article examines the ways in which violent international horror films of the 1960s, 1970s, 1980...
Existing research on British censorship during the 1940s has often favoured the notion that a so-cal...
This paper examines the early connections between BBC radio and television and the Hammer / Exclusiv...
This article examines the way in which sensational articles about the making of Ken Russell's The De...
Existing research on British cinema during the 1940s has often assumed an opposition between realism...
In Glasgow, Scotland (September, 1954), children massed in a graveyard to hunt for a vampire with ir...
In his memoirs, screenwriter Charles Bennett reflects upon writing the British horror film Night of ...
This thesis details and analyzes the history of the Comics Code of 1954 and its impact on American c...
This thesis examines horror films through an application of cultural analysis (primarily the work of...
Wilson has been researching into Grand-Guignol horror performance, in collaboration with Richard Han...
This paper examines the transformation of George Orwell's novel Nineteen Eighty-Four (1949) from a c...
This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives...
Printing Terror places horror comics of the Cold War in dialogue with the historical trauma of World...
Following the second World War, America’s war against the Axis powers came to a close both on battle...
This paper analyses how the theme of hate depicted in Orwell’s dystopian novel Nineteen Eighty-Four ...
This article examines the ways in which violent international horror films of the 1960s, 1970s, 1980...
Existing research on British censorship during the 1940s has often favoured the notion that a so-cal...
This paper examines the early connections between BBC radio and television and the Hammer / Exclusiv...
This article examines the way in which sensational articles about the making of Ken Russell's The De...
Existing research on British cinema during the 1940s has often assumed an opposition between realism...
In Glasgow, Scotland (September, 1954), children massed in a graveyard to hunt for a vampire with ir...
In his memoirs, screenwriter Charles Bennett reflects upon writing the British horror film Night of ...
This thesis details and analyzes the history of the Comics Code of 1954 and its impact on American c...
This thesis examines horror films through an application of cultural analysis (primarily the work of...
Wilson has been researching into Grand-Guignol horror performance, in collaboration with Richard Han...
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