In 2013, I piloted a course in which students used Web-based tools to explore underdocumented collections of Himalayan materials at Yale University. Through class-based research and contextualization, I set students the goal of augmenting existing metadata and designing media-rich, virtual tours of the collections that could be incorporated into the sparse catalogue holdings held within the library system. The process was experimental and had mixed results, as this article documents. The class provided an opportunity for undergraduate students from any discipline to work with objects and primary materials, requiring them to evaluate different sources of information, value, and legitimacy. Learning outcomes were nontraditional and intentiona...
In the fall 2015 semester, a new course was offered at Virginia Wesleyan College (VWC) that involved...
In Spring 2014, Omeka was first used as part of a course assignment at Wheaton College. Students in ...
Many museums now allow more opportunities for students to interact with their artefacts, often in st...
Engagement with objects, either directly or through digital media, has long been recognized as a via...
Objects have underpinned pedagogic strategies in the arts and sciences. While recent online units of...
This paper is concerned with online museum education, exploring the themes of user-centredness, digi...
Media archaeology presents a framework for understanding the foundations of digital culture in the s...
Curatorial note from Digital Pedagogy in the Humanities: This course Web site by Janaki Srinivasan e...
Integrating digital humanities projects into undergraduate instruction in area studies classes can f...
Teaching with digital archives does not mean simply teaching students to locate material, navigate d...
Curatorial note from Digital Pedagogy in the Humanities: This course was the product of a collaborat...
This presentation is based on our university\u27s experiences creating two collections of digital it...
This study looked at teacher responses to the maker movement in a K-12 school. Guiding questions ask...
The History of the Book course is a traditional mainstay of library and information science (LIS) ed...
This paper reports on the findings from a two year research project that explored the potential of d...
In the fall 2015 semester, a new course was offered at Virginia Wesleyan College (VWC) that involved...
In Spring 2014, Omeka was first used as part of a course assignment at Wheaton College. Students in ...
Many museums now allow more opportunities for students to interact with their artefacts, often in st...
Engagement with objects, either directly or through digital media, has long been recognized as a via...
Objects have underpinned pedagogic strategies in the arts and sciences. While recent online units of...
This paper is concerned with online museum education, exploring the themes of user-centredness, digi...
Media archaeology presents a framework for understanding the foundations of digital culture in the s...
Curatorial note from Digital Pedagogy in the Humanities: This course Web site by Janaki Srinivasan e...
Integrating digital humanities projects into undergraduate instruction in area studies classes can f...
Teaching with digital archives does not mean simply teaching students to locate material, navigate d...
Curatorial note from Digital Pedagogy in the Humanities: This course was the product of a collaborat...
This presentation is based on our university\u27s experiences creating two collections of digital it...
This study looked at teacher responses to the maker movement in a K-12 school. Guiding questions ask...
The History of the Book course is a traditional mainstay of library and information science (LIS) ed...
This paper reports on the findings from a two year research project that explored the potential of d...
In the fall 2015 semester, a new course was offered at Virginia Wesleyan College (VWC) that involved...
In Spring 2014, Omeka was first used as part of a course assignment at Wheaton College. Students in ...
Many museums now allow more opportunities for students to interact with their artefacts, often in st...