The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour theory from my Masters thesis on the polychrome faience vessels from 13th-12th century Cyprus that are argued to belong within this style
South Italian pottery of the Hellenistic period comprises a large group of historical monuments repr...
This paper is an attempt to understand the perception of colour of glass in the second mil- lennium...
AbstractThe Embodiment of Color in Ancient Mediterranean ArtbyJennifer Margaret Simmons StagerDoctor...
© 2011 Andrea SinclairThe Late Bronze Age (1550-1200 BCE) was a period of heightened international d...
International audienceBronze is an alloy of copper and tin, with lead also added. Hellenistic and Ro...
The Late Bronze Age is renowned for heightened interregional interaction in the entire Near East and...
My thesis aims to study the colours of bronze ceremonial furniture produced by the Greco-Roman world...
The article offers a partial overview of methodologies of research on the polychromy of Greek and Ro...
Colour played an important role in the interest in, and interpretation of, a wide range of small por...
White Painted Ware, the most identifiable of pottery types of the Middle Bronze Age on Cyprus, has b...
This thesis offers an account of the historical and contemporary importance of glass as body adornm...
It is widely assumed nowadays that colours and gold played a major role in ancient Greek societies t...
Ma thèse a pour objet l’étude des couleurs du mobilier d’apparat en bronze dans le monde gréco-romai...
Little is known about Cypriot society in the Early-Middle Bronze Age (2300-1650 BC). In the absence...
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...
South Italian pottery of the Hellenistic period comprises a large group of historical monuments repr...
This paper is an attempt to understand the perception of colour of glass in the second mil- lennium...
AbstractThe Embodiment of Color in Ancient Mediterranean ArtbyJennifer Margaret Simmons StagerDoctor...
© 2011 Andrea SinclairThe Late Bronze Age (1550-1200 BCE) was a period of heightened international d...
International audienceBronze is an alloy of copper and tin, with lead also added. Hellenistic and Ro...
The Late Bronze Age is renowned for heightened interregional interaction in the entire Near East and...
My thesis aims to study the colours of bronze ceremonial furniture produced by the Greco-Roman world...
The article offers a partial overview of methodologies of research on the polychromy of Greek and Ro...
Colour played an important role in the interest in, and interpretation of, a wide range of small por...
White Painted Ware, the most identifiable of pottery types of the Middle Bronze Age on Cyprus, has b...
This thesis offers an account of the historical and contemporary importance of glass as body adornm...
It is widely assumed nowadays that colours and gold played a major role in ancient Greek societies t...
Ma thèse a pour objet l’étude des couleurs du mobilier d’apparat en bronze dans le monde gréco-romai...
Little is known about Cypriot society in the Early-Middle Bronze Age (2300-1650 BC). In the absence...
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...
South Italian pottery of the Hellenistic period comprises a large group of historical monuments repr...
This paper is an attempt to understand the perception of colour of glass in the second mil- lennium...
AbstractThe Embodiment of Color in Ancient Mediterranean ArtbyJennifer Margaret Simmons StagerDoctor...