Add to ORKGMy work examines the national identity embedded in the homogeneous culture of Americana, and how that’s infiltrated into the subconscious mind of an immigrant. By altering and parodying vernacular imageries of Americana, my paintings discuss how they generate a sense of foreignness and reveal the false illusion of cultural homogeneity
The scenes I paint are submerged in specific landscapes I have encountered in Georgia. Honoring my e...
A first-person narrative exploring the growing rise in cultural appropriation accusations within the...
Making visible what is often unseen, muted, or ignored, Shauna Steinbach discusses the unscientific ...
My work examines the national identity embedded in the homogeneous culture of Americana, and how tha...
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I add...
The work reflects on my experiences as a first-generation American and the role that race, class, an...
Asian Americans, having been degraded in the realm of popular media and neglected in the consumer ma...
The inspiration for this paper came from a class where the students were given an opportunity to cre...
My work explores and conceptualizes the idea of a world where my people were never colonized, a worl...
Industrialization changed domestic material culture and established collage as a mode of sociologica...
Despite the fact that historians centralize immigration as a defining social phenomenon of the ninet...
Race is epistemological. It shapes worldviews, conceptions of self, and interactions with society. I...
Tseng Kwong Chi, Nikki S. Lee, and Annu Palakunnathu Matthew each employ our associations with photo...
This thesis paper summarizes the contextual core of the artist’s graduating exhibition, as well as e...
I construct digital images to represent my identity as an American-Chinese artist. My work interpret...
The scenes I paint are submerged in specific landscapes I have encountered in Georgia. Honoring my e...
A first-person narrative exploring the growing rise in cultural appropriation accusations within the...
Making visible what is often unseen, muted, or ignored, Shauna Steinbach discusses the unscientific ...
My work examines the national identity embedded in the homogeneous culture of Americana, and how tha...
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I add...
The work reflects on my experiences as a first-generation American and the role that race, class, an...
Asian Americans, having been degraded in the realm of popular media and neglected in the consumer ma...
The inspiration for this paper came from a class where the students were given an opportunity to cre...
My work explores and conceptualizes the idea of a world where my people were never colonized, a worl...
Industrialization changed domestic material culture and established collage as a mode of sociologica...
Despite the fact that historians centralize immigration as a defining social phenomenon of the ninet...
Race is epistemological. It shapes worldviews, conceptions of self, and interactions with society. I...
Tseng Kwong Chi, Nikki S. Lee, and Annu Palakunnathu Matthew each employ our associations with photo...
This thesis paper summarizes the contextual core of the artist’s graduating exhibition, as well as e...
I construct digital images to represent my identity as an American-Chinese artist. My work interpret...
The scenes I paint are submerged in specific landscapes I have encountered in Georgia. Honoring my e...
A first-person narrative exploring the growing rise in cultural appropriation accusations within the...
Making visible what is often unseen, muted, or ignored, Shauna Steinbach discusses the unscientific ...